Working at Great Canadian Gaming Corporation: 135 Reviews ...

Why NY and not just NYC would be a unique, interesting, and fun FO5 setting

To start, this should be a single player game. If Bethesda/Obsidian/MS can make it so I can play with 1 or 2 friends, I want that but understand it's not that simple.
So why it should be picked:
First, NY has an amazing history when it comes to Pre-Revolution, Revolution, the Civil War, and beyond. Major events like the battle at Saratoga (which is considered the turning point of the Revolution), the 1980 Miracle on Ice, and Woodstock (along with a whole lot more) all took place in upstate NY. So the rich history of the area is ripe for pro American stylizing and propaganda that gives FO it's unique take on American Atom-punk.
That along with more modern history of things like the Native Americans (The Oneidas) actually taking back their land and forming their own sovereign nation (basically they have their own gov. Pay no state taxes, and self govern with police, fire, and allow gambling which NY does not). So their modern government would not only be some great lore, but I honestly believe could be a basis for the main quest line. Things like their unique tribal leadership, philosophy, and gambling (hello 10 luck) could bring a very grey area to fallout that was kind of missed in FO3 + 4. Plus their mythology would make for a great weird scene that fallout has at least 1 of every game.
Also, for those who don't know, upstate NY is very country with major cities pocketed about. (Utica, Albany, Syracuse, etc). So if you liked NV style of wandering the wastes, or 3s style of city wandering, we've got both. Also, we've got two mountains areas, one in the Adirondacks and the Catskills are the other.
That said, one of the most important parts of fallout are the locations. Where can we go? For that I have a list:
Major locations:
Lake Placid Winter Olympics training facility - the winter olympics world be held in 2078 and if they still exist by then and to play into the game, LP could be the location of those games. Again, the miracle on ice where American Amateurs bested the Communist Russian Pros, was held there. The "Better dead than Red" sentiment would be full force. Not to mention one of a few great locations for a possible vault (80, in this case to house winter olympians). Plus, the weapons could be cool too. Hockey sticks, hockey skate blades on gloves, a goalie mask for armor, you name it.
Cooperstown Baseball HOF - Now when you think Americana, Baseball is one of your first thoughts, don't lie. Cooperstown is baseball central and very pretty. Another great place for pro-american styles and fun gear like baseball base mines, softball helmets (because fuck you "A League of Their Own" style pro-baseball league in FO sounds awesome), and of course bats and baseball grenades. Also a baseball Vault (Vault 4, 5, 7, or 9). Not my idea, but in this vault, there's 32 teams of mens and 32 teams of womens baseball (or coed teams, idk), all of whom are pro players. Vault tec test is simple, winner gets food and drinks, loser gets steroid infused food and drink (but they don't know it has steroids obviously). The idea is, test how good at baseball people can be if given monster amounts of steroids for generations. I'll make a separate post about this in detail if desired.
Canastota Boxing HOF - Another unique area for America. Canastota is pretty boring and empty, but for those of you old enough to remember Rocky when it came out, it basically revived Boxing as a major sport and also had a moment where America bested the Red Menace (Rocky IV). Maybe a spot for a vault or to learn unique unarmed moves. Pugilism Illustrated anyone?
Albany - NYs capital and an easy big city area along the Hudson. A great location for corporate greed, governmental corruption, and side quests. Can't say it'll be the focal point of the game since its very near the eastern border of it, but a good location for exploring and lore.
Buffalo/Niagara Falls - Ya ever gone over the falls in a barrel? Do ya want to? I think using Niagara Falls (which has an American and Canadian side, Canadas is the U-shaped famous one) as Fallouts first "Non-American" location would be fun. First, the falls are beautiful and are a major source of hydroelectric power. Second, in FO, America annexed canada, so it's technically still America! Third, right across the "border" are casinos! More gambling! Third and a half, it's another big city and buffalo is where the buffalo wing was invented (God bless buffalo wings). Besides the cool lore opportunity about the annexation and the city location, the falls could be a major location for the story if the main conflict was about powering the area, similar to NV.
Syracuse - NYs (literal) center city. The Salt City as it was formally known is a big city with some great old and new style. Again, not much about the city to say, but a great opportunity for corporate BS. The main attraction would be the Syracuse Dome (formerly the Carrier Dome). Due to its location and style, it's perfect as a central trading hub for the major cities and people. Think of Great Green Jewel style, people living, bars, shops, etc. BUT the really interesting part is what's right next to the Dome. SUNY ESF (Environmental Science and Forestry). This college is special because (A. I went there) it has very unique programs and with some future tech thrown in, could be a great location for a Fallout 3 Harold or NV vault 22-esq quest. The college already does experiments with major chemicals, evolution (FEV anyone?) and breeding plants for unique purposes. Again, I have a really cool idea for this area, but that can be a different post. Fun fact, ESF is actually working to bring back the North America Chestnut that went (nearly) extinct! Also, some asshole releases the fruit flies the genetics lab work with every year and it sucks.
NYC (Empire, 9/11 memorial, Statue of Liberty) - Yeah yeah, you can't have NY without the City, but frankly there's so much here to explore and deal with, I'd leave it to the pros to really do it justice.
Turning Stone Casino - Gambling, a hotel/restaurants like in NV, and a good spot for the main quest line.
Fort Stanwix - A real revolutionary war fort. HQ or major area for raiders. Safe, well protected and with plenty of history.
Fort Drum and Griffis Air Force Base: Two major bases that could be packed with guns, nukes, and power armor. Heavily guarded by turrets, robots, and security gates.
Main Quest:
Without too much detail, I figure your character will be hired to figure out the future of NY.
You'll be brought to the Turning Stone which is currently the HQ of the Oneida tribe. Your job would be to either work with the other tribes in the former Iroquois Confederation (Seneca, Cayuga, Onondaga, Oneida, Mohawk, and Tuscarora [added later]). (Quick note: in my AU, some time after the bombs fell, the IC came to power because of their knowledge of living off the land and attempted to rebuild society. After some time rebuilding and establishing a post-war society, the tribes do the thing all humans do and bicker. Around 2200 the IC broke apart but the tribes retained power in their areas. They fight, trade, yadda yadda but no one is in control of everything.
Throughout your quest, it turns out that what is holding everyone back is a lack of power for things like lights and running water. Your job will be to determine where to get that power (Nuclear power plant in Oswego or the falls in Niagara?) And where to give it (one tribe? A few? Or all?). But that's not all, the tribes can't decide who should be in charge. One tribe wants to remain independent, don't help the outsiders and rebuild society in their image within NY, another wants to help others but would need to sacrifice their own people's safety and seclusion. Maybe another wants to be imperialist and expand their borders throughout America through way of force and fear while another agrees with taking land but wants it done through offers of protection for taxes. And each tribe has its own opinion on bringing the IC back together, staying separate, or taking over the tribes for themselves.
It's up to you character to decide who to help. Do you work hard to try and bring all tribes together under one banner or choose a side and execute their will as a paid mercenary/ambassador?
Other choices would be chaos by siding with raiders, or maybe a BOS path to take out all the tribes, idk, haven't thought it all out. Again, not a writer.
Mechanics:
So personally, I like the idea that if you choose to go with a single faction, there would a battle/war mechanic where you and an army (or alone if you really wanna try) take over and lay claim to areas similar to Nuka World where you fly the gangs flag. Nothing complicated, normal fallout fights, don't die and kill the leadehis troops to win.
Karma is back. You will garner good or bad rep with each tribe depending on what you do. I'd like an armor system like in NV but I can live without it.
There is an ending. Once you beat the game you can continue doing side quests for armoexperience/ammo but only for the tribes left in power. Occasional rebellions will rise up as random events that need to be put down.
Settlements are limited. Like skyrim, but a plot and build. No need to build one everywhere and you don't even need to do it if you don't want to.
Radio host? Gimme a Mr. New Vegas type guy. I don't want an eccentric 3-dog, I want a smoothed voiced person wishing me lady like luck.
Also, smarter AI.
Otherwise, typical FO mechanics. Weapons degrade, can upgrade weapons and armor, etc.
Main problems with NY:
No real borders to the south. Invisible walls would like be necessary which is stupid. Same to the East, but the Hudson could theoretically be used as a border if you put crazy strong mirelurks or something to kill the player if they tried to cross (or more invisible walls)
Don't want to disrespect the tribes. This is an issue with using each tribe as a possible faction. You're bound to piss off or disrespect one. So it'll be a task to make sure it's as limited as possible.
What to do with the city? It's a huge area that can be used for so much, but as a part of NY it's actually pretty seperated. It's a commercial hub now, but there's nothing there that would really be a reason to go down there. So do you make it one or do we just make it a glowing sea type area that's completely decimated from the bombs? That's my personal choice honestly, but it's a tough one to please as many as possible.
Conclusion: NY is rad.
I'll be taking questions as long as they do not involve Canadian trivia. Thank you.
submitted by Tykuhn42 to Fallout [link] [comments]

Mafia IV story idea

Note: The particularly important details and music artist names are in bold text. Licensed music track names are in italics.
The year is 1973, five years after the events of the Mafia III, and 22 years since Vito Scaletta’s seen or heard from his old friend Joe Barbaro. The canon ending of Mafia III with this Mafia IV story is Vito taking over the city after Lincoln skipped town, however Cassandra and Burke are left alive and loyal to both Vito and Lincoln still. Burke was able to survive his liver cancer by getting a black market liver transplant in Mexico, like he did in his ending, except with Vito running the city. On Vito and Lincoln’s behalf, Burke and Cassandra agree to stay behind in New Bordeaux and keep the city locked down, incase Leo Galante and the Commission try anything.
The beginning cutscene is Vito answering his telephone after getting up in the morning in his new penthouse, on the top floor of the New Bordeaux casino he finished that was once Sal Marcano's, and grabbing a cup of coffee. It's Alma with some urgent news. Lincoln Clay came down to the cigar warehouse to visit her after 5 years of silence, and he has big news.
Joe is alive in Empire Bay and has been this entire time. However, as punishment for his actions, he's become Leo Galante's personal driver against his will and is forbidden from contacting Vito ever again, or else him and Vito will be killed. Alma then tells Vito to meet Lincoln at the airport to learn more, as he's already there awaiting Vito's arrival. When they're away from anyone who could listen in on their conversation, Lincoln tells Vito he has a friend named John Donovan he's going to introduce him to, hiding in the outskirts of Empire Bay, ready to help Vito and Lincoln with their new mission
Vito gets dressed in one of his signature trench coats with a suit and tie, ready to rain down hell on the Vinci crime family and their allies, and finally be reunited with his lifelong friend he previously thought was dead, Joe Barbaro.
Here is my idea for the kill list, all related to the Commission in Empire Bay and their allies.
I'm thinking Vito and Joe work with Lincoln Clay and John Donovan to split up Empire Bay and distribute territory to three other factions not unlike what Lincoln did with New Bordeaux. This time though, this is a much larger city in a much, much different part of the United States. The empire building mechanics would be a lot smoother, more robust, and streamlined compared to Mafia III. They would work similarly a more modernized version of how the game Scarface: The World Is Yours handled it's empire building and management mechanics, minus the whole switching to other characters lower on the ladder to do your bidding. This would be ideal for a story rich organized crime game in my opinion. Here are my ideas for those factions, all close allies of the up and coming Scaletta crime family.
The Cuban mob led by Alma Diaz. Vito goes way back with Alma, and she does not hesitate to answer him and Lincoln's calls to save Joe's life and royally fuck both Leo Galante and the Vinci family.
Conti crime family, led by Enzo Conti. This Conti crime family formed sometime in late 1968, months after Lincoln helped Enzo flee New Bordeaux and drop off of Sal Marcano's radar. It turns out he fled north to Empire Bay and finally formed his own family, having more than enough years of experience in the underworld to handle the job. Lincoln's tight with him and manages to recruit him to Vito and Joe's cause.
The Yakuza, based out of Empire Bay's Japantown. Longtime sworn enemies of the Empire Bay Triads, with bad blood going back decades. They would greatly enjoy seeing Mr. Chu and his son's heads mounted on pikes, along with whacking everyone who's ever supported their organization. You don't know them well, and they're known to be very unpredictable and ruthless. Use these traits to your advantage when taking on the Commission of Empire Bay and their friends.
I should mention as expected, this entire 1973 section where you play as Vito is much shorter than Mafia III. Vito's takeover is shown much more quickly over time than Lincoln's, and there's time skips during it, to keep it short and sweet, and to show onscreen only what's important. There is also no option for your underbosses to betray you, as to reduce confusion and keep the story consistently the same each playthrough, like the first two Mafia games.
However, unlike Mafia III, after all of these tasks are completed and every single assassination target on Vito’s kill list is dealt with, the game does not end. In fact, it's not even anywhere near close to being over yet. Vito's 1973 section was merely the beginning act. It was really a lead up to an entirely new Mafia story, centering around a newcomer to the American mob. Fast forward two years following Vito’s rampage that led to him taking over Empire Bay and the Commission, in the year 1975 him and Joe now rule Empire Bay, with Vito as the Don of the Scaletta Crime Family, and Joe working as his loyal underboss. You play the rest of the game as a young up and coming soldato named Louis in his 20’s, who’s a rising star in Vito’s organization. Do right by Mr. Scaletta and Mr. Barbaro, understand kid?
My basic idea for the character and his backstory is that he's a young Italian-Canadian mobster from Toronto, Ontario, or whatever Mafia's equivalent of it could be called. Let's call him Louis DeAngelo. (No relation to Tommy Angelo) His family hails from Tuscany in Italy and moved to Toronto, Ontario in 1939, shortly after World War II broke out in Europe. Louis DeAngelo was born in July 1952 in Toronto, and was raised in Toronto's Little Italy. Louis fled south to Empire Bay when the feds started cracking down on his old family and put his boss in prison, and he ended up finding a new home with the Scaletta crime family. The first few missions playing as Louis DeAngelo involve shooting your away out of an arrest by a Toronto Police Service SWAT team in Toronto in December 1974, seeing the rest of the members of your old crime family either get arrested or shot in front of you as you make your escape. You spend the next two missions fleeing Ontario through Quebec and upstate New York, before finally arriving in Empire Bay in early 1975, late January to be exact. Winter is in full force with snow everywhere, Louis' arrival to Empire Bay for the first time in his life mirroring Vito's return to Empire Bay in 1945 30 years earlier, except under far different much more dire circumstances. Louis' older brother and his father, both capos in his old crime family in Toronto, are shown to be arrested by the TPS SWAT team in his first mission, the same one that attempted to gun him down when he resisted arrested. Louis knows someone had to have ratted out his old crime family, and he wants to find out who someday. The thing is though, he doesn't just want to kill them. He wants to get out of them why they did it before he kills them. More than anything else, he just wants to find out why his crime family was betrayed and served up to the feds on a silver platter, having most of his biological family sent to prison in the process. He’s out to uncover the mystery of why his family fell apart, and he’s more than willing to help people like Don Vito Scaletta and his underboss Joe Barbaro to eventually get the answers he seeks. I came up with the idea for this character because I figured that playing as a fugitive from the law made sense for the mob life, and I'm surprised we haven't had a fugitive protagonist in the Mafia series yet.
In the 1975 chapters while playing as Louis, the Watergate scandal, President Richard Nixon’s resignation, and the official end to the Vietnam War are both discussed on the in-game radio during news segments. In the last 1979 chapter, the beginning of the Soviet-Afghan War is also the subject of a news segment on the radio.
The story eventually transitions into the 1980's as years pass, with the scenery, cars, and music changing accordingly, and historical events of the time discussed in the game. By the time the game ends, it's 1992, and significant historical events from the past few years at the time that are covered on the radio in-game include anything from the fall of the Berlin Wall, the Gulf War, the collapse of the Soviet Union, to the 1992 L.A. riots. The rise of the internet and home computers are briefly touched upon during news segments on the in-game radio during the early 1990's section of the story, but not greatly delved into given their relative infancy in that time period. During this entire 1975-1992 stretch of the story, Vito is no longer playable, and Don Scaletta takes a backseat in the story as a main supporting character, similar to Don Salieri throughout Mafia: Definitive Edition. You now play as the Italian-Canadian Scaletta family soldato Louis DeAngelo, who is later promoted to being a capo in 1985. However, unlike Don Salieri, Don Scaletta has much more integrity, and has more genuine loyalty for his men and his associates. If you've beaten Mafia 1 or Mafia: Definitive Edition, you'll know this is something Salieri lacked in the end.
The game will include a number of hit music from the 70’s that played on the radio back then, such as Bobby Womack’s Across 110th Street and Tony Christie’s (Is This the Way to) Amarillo, The Grateful Dead's Casey Jones and at least a few songs by the then new American rock band Cheap Trick, as well as popular songs from the 1960’s people still listened to at the time, such as Sam the Sham and the PharaohsWooly Bully, King Crimson’s 21st Century Schizoid Man, Zager and Evans' In the Year 2525, The Zombies' Time of the Season, and Nancy Sinatra’s These Boots Are Made for Walkin'. When you progress through the game, especially after you switch to playing as Louis DeAngelo for the rest of the story, years change, and the music changes. Different songs start playing on the radio, such as Sylvester's You Make Me Feel (Mighty Real), Randy Crawford's Street Life, and The Village People's Y.M.C.A., Cheryl Lynn's Got to Be Real, Gloria Gaynor's I Will Survive, and the Bee Gees' Stayin' Alive start playing in the 1979 portion of the game. After you've completed the 1975 section of the game, Foghat's Slow Ride starts playing on the radio. Starting in the 1977 section of the game, Cheap Trick's I Want You to Want Me and Heart's Barracuda start playing on the radio. In the 1980's portion of the game, Thomas Dolby's songs Hyperactive! and She Blinded Me with Science, in addition to Night Ranger's Sister Christian also start playing on the radio. If Hangar 13 can afford the licenses, I also think a few Michael Jackson and Madonna songs should definitely be on the radio during the 1980's portion of the story, given the immense popularity and regular radio airtime those two had in that decade. If this ended up being possible, I imagine that Michael Jackson's Smooth Criminal, Beat It, Bad, and Billie Jean being on the radio in the 80's sections would be a must, Smooth Criminal especially because of how well it suits the series. Madonna's Lucky Star, Burning Up, Like a Virgin, and Borderline would also be perfect for the 80's portion of the game to me. Also mentioned by NPCs and civilians in the game are topical events of the time period, such as the release of the groundbreaking 1973 horror film The Exorcist at the end of Vito's playable portion of the game.
Other music of the 1980's segment when playing as Louis DeAngelo for the remainder of the game includes hits of the era such as Joe Jackson's Steppin' Out, The Buggles' Video Killed The Radio Star, Corey Hart's Sunglasses at Night, Laura Branigan's Self Control and Gloria, The Weather Girls' It's Raining Men, A-ha’s Take On Me, Men at Work's Down Under, Kim Wilde's Kids in America, The Gap Band's You Dropped a Bomb on Me, Culture Club’s Karma Chameleon, Twisted Sister's I Wanna Rock and We're Not Gonna Take It, Bon Jovi's Wanted Dead or Alive and Bad Medicine, Loverboy's Working for the Weekend, Dead or Alive's You Spin Me Round (Like a Record) and That's the Way (I Like It), Tiffany’s I Think We’re Alone Now, Daryl Hall & John Oates' Maneater, Aneka's Japanese Boy, Mötley Crüe's Dr. Feelgood, Girls, Girls, Girls and Kickstart My Heart, Billy Joel's We Didn't Start the Fire, Huey Lewis And The News' Hip To Be Square, Bill Medley's (I've Had) The Time of My Life, The Police's Every Breath You Take, Whodini's Magic's Wand, Tears For Fears' Everybody Wants To Rule The World, Rockwell's Somebody's Watching Me, Regina's Baby Love, Nena's 99 Red Balloons, Earth, Wind, and Fire's Let's Groove and September, Billy Idol's Eyes Without a Face and White Wedding, Rick JamesGive It To Me Baby, Wham!'s Everything She Wants, George Michael's Careless Whisper, Toto's Hold the Line and Africa, Blondie's Heart of Glass and Atomic, and Mai Tai's History.
Note that not every single year and moment of the 17 year 1975-1992 section playing as Louis DeAngelo is playable or chronicled. My idea is it would be handled similarly to how the time skips in Mafia 1/Mafia: Definitive Edition were handled. Time skips of two or more years, or in this case, even longer such as 4 years sometimes, the game skipping from 1979 to 1983. This is to keep the game and story length ideal, and not risk it getting boring or repetitive, or going on for too long. Repetition was a big problem in Mafia III even if I still thought it was a superb game, so I think it'd be best to learn from that for the next big entry. The games story will skip ahead and show onscreen only what's significant, similar to the first Mafia game and it's remake, as well as certain aspects of Mafia II. Louis starts his section as a 22 year old fugitive soldato who got picked up by another crew south of the Canadian border, and in the epilogue of the game in 1992, is promoted to the consigliere of the Scaletta crime family at the age of 40, being set to take over the family once Vito and Joe become too old to run the day to day on a regular basis.
The years chronicled in the main gameplay segments are as follows:
1973
1975
1977
1979
1983
1985
1986
1987
1989
1990
1991
1992
Much more of the rural areas and countryside outside of Empire Bay are included than what was available in Mafia II. The way rural environments are handled for this hypothetical Mafia IV is akin to how Mafia: Definitive Edition and Mafia III handled their rural environments outside the main cities, except much larger in scale, given the increased power of the current new consoles such as the PS5 and Xbox Series X. This region is based off of upstate New York and the surrounding areas across multiple states in the Northeastern US, and includes forests, fields, mountains, rivers, lakes, beaches, and small towns. Also included are other cities and towns, based off of other large cities in New York like Syracuse, Buffalo, and Rochester, where other story missions, business activities, and side missions take place, along with smaller notable places like Ithaca, Binghamton, and Utica. The entire states of New Jersey, Massachusetts, Rhode Island, Vermont, New Hampshire, Maine, Delaware, Maryland, and Ohio are also included, including places based off of all of their major cities and most of their notable towns in between. Large portions of Pennsylvania are included as well, including Philadelphia, Pittsburgh, and Scranton. Large portions of the eastern half of the Canadian province of Ontario are included as well, including cities based off of Toronto, Ottawa, and Niagara Falls. There's even a small portion of Quebec included, including Montreal and the surrounding countryside of the province outside that city, including a few small towns in southern Quebec. The player must pass a quick border patrol check when crossing the US-Canada border in a car or other ground vehicle.
Wildlife is present in the game, mostly to add to the background, scenery, and immersion in rural environments on the map. These are all animals native to the Northeastern US, ranging from white tailed deer, coyotes, bobcats, Canada lynxes, rabbits, hares, groundhogs, gophers, beavers, raccoons, opossums, bats, chipmunks, red and gray squirrels, mice, and rats to more formidable and potentially dangerous animals that may sometimes attack the player, such as grey wolves, black bears, mountain lions, and moose. These last four animals are known to spawn in the mountainous regions, especially in New York, Ohio, Vermont, Massachusetts, and Ontario, including the rural regions based off of the Catskills and the Adirondack mountains. Dogs are present in the cities, towns, and settlements where humans live and keep them as pets, being walked and sometimes found in people's yards. Some are used as guard dogs by enemies and are aggressive towards the player on sight. Domestic cats are also present in the background of residential areas, and both Louis and Vito own them as pets throughout the game in their safe houses, as well as other onscreen characters we see the homes of throughout the game.
Aircraft make their first usable appearance in the Mafia series too, from airplanes to helicopters. Vito cannot use planes or helicopters in his playable 1973 portion of the game, as he does not know how to pilot, being a paratrooper in World War II who never actually flew any of the planes himself. Aircraft are unlocked to use when Louis DeAngelo gets his pilot’s certificate offscreen in 1977, and at the end of a chapter set that year, Louis has to fly Vito in a helicopter to a penthouse in Downtown Empire Bay acting as a family safe house, equipped with a helipad. Louis frequently serves as a personal driver and pilot for both Vito and Joe afterwards, having done a lot in his time serving the family to earn their trust and respect.
Melee weapons also make a return from Mafia: Definitive Edition, with even more variety this time. In their respective sections of the game, Vito and Louis may use anything from baseball bats, pipes, shovels, brass knuckles, golf clubs, police batons, switchblades, kitchen knives, bowie knives, ice picks, 2x4s, claw hammers, crowbars, tire irons, chain links, machetes, meat cleavers, pickaxes, hatchets, sledgehammers, to fire axes. This amount of melee weapons is so no matter what environment the player finds themselves in during a mission or any other game activity, there is usually a weapon of some sort nearby. If the player has obtained piano wire, you may also strangle an enemy to death with it from behind as a stealth kill, this being a classic assassination method infamous for being used by the Italian Mafia. Rope can also be found and used for similar strangulation stealth kills, appearing in the gameplay environments where piano wire can’t be found. There is a wide variety of new guns and explosives to use in this concept for Mafia IV, going with the new weapons of the time the game takes place that criminals quickly got their hands on. This includes the SPAS-12 combat shotgun, the Beretta 92 pistol, the AK-74 assault rifle, the mini uzi, the MAC-10 submachine gun, both suppressed and unsuppressed variants, the Beretta 92 pistol, the Taurus raging bull revolver, Glock handguns, the TEC-9 machine pistol, illegally modified to be full auto, the Ruger Mini-14 full auto variant, and even Vietnam war era flamethrowers, which I think is only natural given that as of Mafia III, we already have RPGs and grenade launchers. Late in the game from the 1989 section and onwards, the Benelli M3 combat shotgun becomes available. The Milkor MGL grenade launcher becomes available beginning in the 1983 portion of the game. Attached grenade launchers are also available for the AK-47, AK-74, and M16 assault rifles.
Free ride makes a return in Mafia IV, with the player having the options to change the weather, time period, and an option to play as Louis, Vito, Joe, or Lincoln. Naturally, a multitude of new free ride missions are available as well.
I previously posted a much earlier and less detailed draft of this on the old Mafia3 subreddit 3 years ago back in 2017 as an idea for a hypothetical Mafia 3 expansion where you play as Vito, but have since updated and revamped it to a possible Mafia IV plot, and fixed any plot holes I noticed and made it much more fleshed out and in depth, and focus on more than just Vito in the end. You may view my original here if you so desire, to compare. https://www.reddit.com/Mafia3/comments/6sldhp/spoiler_mafia_iii_vito_dlc_basic_plot_idea/
Feel free to give me constructive criticism on this, as I encourage this discourse and believe it is integral to growing and improving, to build upon or improve these ideas I've come up with, or say whether or not you think something like this should happen in the future. Thank you for reading!
submitted by RichterTheRatman to MafiaTheGame [link] [comments]

Which Male Actor had the best run in the 60s?

It could be the best in terms of anything
Paul Newman: The Hustler, Cool Hand Luke, Exodus, From the Terrace, Paris Blues, Hud, Hemingway's Adventures of a Young Man, Sweet Bird of Youth, Harper, Lady L, Hombre, Torn Curtain, Winning, Butch Cassidy and the Sundance Kid, The Secret War of Harry Frigg, The Prize, What a Way to Go!, The Outrage, and A New Kind of Love.
Gregory Peck: To Kill a Mockingbird, Mackenna's Gold, The Chairman, Cape Fear, Captain Newman, M.D., How the West Was Won, Behold a Pale Horse, Marooned, Mirage, Arabesque, The Stalking Moon, and The Guns of Navarone.
Steve McQueen: The Sand Pebbles, The Great Escape, Love with the Proper Stranger, The Magnificent Seven, The Thomas Crown Affair, The Cincinnati Kid, Bullitt, The Honeymoon Machine, The Honeymoon Machine, The War Lover, Soldier in the Rain, Nevada Smith, Baby the Rain Must Fall, and The Reivers.
Dustin Hoffman: The Graduate, Midnight Cowboy, The Tiger Makes Out, Madigan's Millions, and John and Mary.
Peter O Toole: Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips, Kidnapped, The Day They Robbed the Bank of England, The Savage Innocents, What's New Pussycat?, The Sandpiper, Lord Jim, How to Steal a Million, The Bible: In the Beginning..., Casino Royale, The Night of the Generals, and Great Catherine.
Henry Fonda: How the West Was Won, Firecreek, Once Upon a Time in the West, Madigan, The Boston Strangler, Fail Safe, Sex and the Single Girl, The Longest Day, Advise & Consent, Spencer's Mountain, The Dirty Game, In Harm's Way, A Big Hand for the Little Lady, Welcome to Hard Times, The Best Man, The Rounders, Battle of the Bulge, and Yours, Mine and Ours.
Toshiro Mifune: Shinsengumi, The Battle of the Japan Sea, Red Lion, Safari 5000, Hell in the Pacific, Samurai Banners, The Day the Sun Rose, Admiral Yamamoto, Japan's Longest Day, The Sands of Kurobe, Samurai Rebellion, Grand Prix, The Mad Atlantic, The Adventure of Kigan Castle, Rise Against the Sword, The Sword of Doom, Fort Graveyard, The Retreat from Kiska, Sanshiro Sugata, Samurai Assassin, Red Beard, Legacy of the 500,000, The Lost World of Sinbad, Whirlwind, Chūshingura: Hana no Maki, Yuki no Maki, Attack Squadron!, High and Low, Yojimbo, The Youth and his Amulet, Sanjuro, Tatsu, Three Gentlemen Return from Hong Kong, Salaryman Chushingura Part 1 & 2, The Story of Osaka Castle, The Youth and his Amulet, Ánimas Trujano, The Last Gunfight, The Gambling Samurai, The Bad Sleep Well, Man Against Man, and Storm Over the Pacific.
Montgomery Clift: Judgment at Nuremberg, The Misfits, Freud: The Secret Passion, The Defector, and Wild River.
Burt Lancaster: Judgment at Nuremberg, Birdman of Alcatraz, Elmer Gantry, Seven Days in May, The Leopard, The Professionals, The Unforgiven, The Young Savages, The List of Adrian Messenger, A Child Is Waiting, The Hallelujah Trail, The Train, The Swimmer, The Scalphunters, Castle Keep, and The Gypsy Moths.
Marlon Brando: Mutiny on the Bounty, The Fugitive Kind, One-Eyed Jacks, Morituri, The Chase, Bedtime Story, The Ugly American, Reflections in a Golden Eye, Candy, The Appaloosa, The Night of the Following Day, Burn!, and A Countess from Hong Kong.
Tony Curtis: Captain Newman, M.D., The Boston Strangler, Sex and the Single Girl, Spartacus, Pepe, The Rat Race, The Great Impostor, The List of Adrian Messenger, 40 Pounds of Trouble, Paris When It Sizzles, The Outsider, Taras Bulba, Goodbye Charlie, Not with My Wife, You Don't!, The Great Race, Wild and Wonderful, Boeing Boeing, Chamber of Horrors, On My Way to the Crusades, I Met a Girl Who..., Rosemary's Baby, Drop Dead Darling, Don't Make Waves, Monte Carlo or Bust!, and Who Was That Lady?.
Robert Redford: The Chase, Tall Story, Situation Hopeless... But Not Serious, War hunt, Inside Daisy Clover, Butch Cassidy and the Sundance Kid, Barefoot in the Park, This Property Is Condemned, Tell Them Willie Boy Is Here, and Downhill Racer.
Anthony Perkins: Tall Story, Psycho, The Trial, Phaedra, Pretty Poison, Five Miles to Midnight, Goodbye Again, The Fool Killer, Une ravissante idiote, Le glaive et la balance, The Champagne Murders, and Is Paris Burning?.
John Huston: Candy, The List of Adrian Messenger, The Cardinal, Casino Royale, and The Bible: In the Beginning
John Wayne: How the West Was Won, The Sons of Katie Elder, The Longest Day, True Grit, El Dorado, Cast a Giant Shadow, The War Wagon, The Green Berets, The Man Who Shot Liberty Valance, Hatari!, North to Alaska, The Alamo, The Comancheros, The Greatest Story Ever Told, Circus World, Hellfighters, and The Undefeated.
Jack Lemmon: The Great Race,Pepe, The Apartment, The Wackiest Ship in the Army, The Notorious Landlad, Days of Wine and Roses, Under the Yum Yum Tree, Irma la Douce, How to Murder Your Wife, Good Neighbor Sam, Luv, The Fortune Cookie, The Odd Couple, and The April Fools.
Marcello Mastroianni: 8 1/2, La Dolce Vita, La Notte, Yesterday, Today and Tomorrow, Divorce Italian Style, Marriage Italian Style, The 10th Victim, Adua and Her Friends, Il bell'Antonio, Ghosts of Rome, La Notte, Family Diary, Family Diary, The Organizer, Kiss the Other Sheik, Me, Me, Me... and the Others, Casanova 70, Shoot Loud, Louder... I Don't Understand, The Poppy Is Also a Flower, Ghosts – Italian Style, Amanti, Break Up, The Stranger, and Diamonds for Breakfast.
James Stewart: How the West Was Won, Firecreek, The Flight of the Phoenix, The Man Who Shot Liberty Valance, Cheyenne Autumn, The Mountain Road, Two Rode Together, Mr. Hobbs Takes a Vacation, Take Her, She's Mine, Shenandoah, Dear Brigitte, Bandolero!, and The Rare Breed.
Robert Mitchum: What a Way to Go!, Cape Fear, The Longest Day, El Dorado, Home from the Hill, The Sundowners, A Terrible Beauty, Two for the Seesaw, The Last Time I Saw Archie, The Grass Is Greener, The Way West, Mister Moses, Rampage, Man in the Middle, Anzio, 5 Card Stud, Villa Rides, The Good Guys and the Bad Guys, Secret Ceremony, and Young Billy Young.
Robert Duvall: Captain Newman, M.D., True Grit, To Kill a Mockingbird, Bullitt, The Chase, Nightmare in the Sun, Countdown, and The Detective.
Jean-Paul Belmondo: Breathless, That Man from Rio, Seven Days... Seven Nights, Trapped by Fear, Classe Tous Risques, The Lovemakers, Two Women, Lettere di una novizia, Love and the Frenchwoman, Le Doulos, Famous Love Affairs, Cartouche, A Man Named Rocca, Mare matto, The Winner, Sweet and Sour, Banana Peel, A Monkey in Winter, Backfire, Greed in the Sun, Weekend at Dunkirk, The Shortest Day, Magnet of Doom, Tender Scoundrel, Is Paris Burning?, Casino Royale, Male Hunt, Crime on a Summer Morning, Pierrot le Fou, Up to His Ears, Ho!, The Brain, Mississippi Mermaid, and Love Is a Funny Thing.
Kirk Douglas: Seven Days in May, The List of Adrian Messenger, Spartacus, Is Paris Burning?, The War Wagon, The Way West, Lonely Are the Brave, The Heroes of Telemark, Town Without Pity, The Last Sunset, For Love or Money, The Hook, The Arrangement, The Legend of Silent Night, The Brotherhood, A Lovely Way to Die, and Cast a Giant Shadow.
Charles Bronson: The Magnificent Seven, The Great Escape, Battle of the Bulge, Villa Rides, Guns of Diablo, X-15, The Bull of the West, 4 for Texas, Lola, Once Upon a Time in the West, Guns for San Sebastian, The Dirty Dozen, A Thunder of Drums, Kid Galahad, Master of the World, The Sandpiper, This Property Is Condemned, The Meanest Men in the West, and Adieu l'ami.
Orson Welles: Casino Royale, Is Paris Burning?, The Trial, Kampf um Rom, The Thirteen Chairs, The Merchant of Venice, Battle of Neretva, Tepepa, The Southern Star, I'll Never Forget What's'isname, A Man for All Seasons, David and Goliath, La Fayette, Austerlitz, Crack in the Mirror, The Tartars, The V.I.P.s, Chimes at Midnight, In the Land of Don Quixote, Marco the Magnificent, House of Cards, The Immortal Story, and Oedipus the King.
William Holden: Paris When It Sizzles, The Wild Bunch, The World of Suzie Wong, The Lion, Satan Never Sleeps, The Counterfeit Traitor, Casino Royale, The Devil's Brigade, The 7th Dawn, Alvarez Kelly, and The Christmas Tree.
Frank Sinatra: Cast a Giant Shadow, The Detective, 4 for Texas, The Manchurian Candidate, Tony Rome, Pepe, The Devil at 4 O'Clock, The Road to Hong Kong, Sergeants 3, Come Blow Your Horn, None but the Brave, Paris When It Sizzles, Lady in Cement, The Oscar, Assault on a Queen, The Naked Runner, Von Ryan's Express, Marriage on the Rocks, and Robin and the 7 Hoods.
Elvis Presley: G.I. Blues, Kid Galahad, Wild in the Country, Follow That Dream, Blue Hawaii, It Happened at the World's Fair, Girls! Girls! Girls!, Fun in Acapulco, Roustabout, Viva Las Vegas, Kissin' Cousins, Frankie and Johnny, Girl Happy, Harum Scarum, Tickle Me, Clambake, Easy Come, Easy Go, Double Trouble, Stay Away, Joe, Live a Little, Love a Little, Speedway, Change of Habit, The Trouble with Girls, Charro!, Spinout, and Paradise, Hawaiian Style.
Edmond O'Brien: The Wild Bunch, The Longest Day, The Man Who Shot Liberty Valance, Fantastic Voyage, The Great Impostor, The Last Voyage, The 3rd Voice, Birdman of Alcatraz, Man-Trap, Moon Pilot, Sylvia, Rio Conchos, The Hanged Man, The Outsider, Synanon, The Doomsday Flight, The Love God?, Flesh and Blood, The Viscount, and To Commit a Murder.
Ben Johnson: The Wild Bunch, The Rare Breed, The Undefeated, Hang 'Em High, Cheyenne Autumn, Will Penny, One-Eyed Jacks, Ten Who Dared, Tomboy and the Champ, and Major Dundee.
Warren Oates: The Wild Bunch, The Rise and Fall of Legs Diamond, The Rounders, Ride the High Country, Private Property, Mail Order Bride, Hero's Island, In the Heat of the Night, Welcome to Hard Times, The Shooting, Return of the Seven, Smith!, Crooks and Coronets, The Split, Something for a Lonely Man, and Lanton Mills.
Sidney Poitier: In the Heat of the Night, Lilies of the Field, A Patch of Blue, To Sir, With Love, A Raisin in the Sun, Guess Who's Coming to Dinner, Paris Blues, The Long Ships, Pressure Point,All the Young Men, The Bedford Incident, The Greatest Story Ever Told, The Slender Thread, Duel at Diablo, For Love of Ivy, and The Lost Man.
Rod Steiger: The Longest Day, In the Heat of the Night, The Pawn broker, Doctor Zhivago, No Way to Treat a Lady, Three into Two Won't Go, Seven Thieves, The Mark, 13 West Street, World in My Pocket, Convicts 4, Time of Indifference, Hands over the City, A Man Named John, The Loved One, The Girl and the General, The Sergeant, and The Illustrated Man.
Ernest Borgnine: The Dirty Dozen, The Wild Bunch, The Legend of Lylah Clare, Pay or Die, The Last Judgment, Barabbas, The Italian Brigands, McHale's Navy, The Flight of the Phoenix, The Oscar, The Split, A Bullet for Sandoval, Ice Station Zebra, Chuka, Go Naked in the World, Black City, and Man on a String.
George Kennedy: The Boston Strangler, Charade, Strait-Jacket, McHale's Navy, The Sons of Katie Elder, The Dirty Dozen, Shenandoah, The Flight of the Phoenix, Guns of the Magnificent Seven, The Good Guys and the Bad Guys, Cool Hand Luke, The Little Shepherd of Kingdom Come, The Man from the Diners' Club, The Silent Witness, McHale's Navy, Mirage, Hush...Hush, Sweet Charlotte, Island of the Blue Dolphins, In Harm's Way, Hurry Sundown, Bandolero!, The Ballad of Josie, Gaily, Gaily, and The Pink Jungle.
Strother Martin: McLintock!, The Man Who Shot Liberty Valance, Cool Hand Luke, Hurry Sundown, Sanctuary, Shenandoah, Harper, Nevada Smith, The Sons of Katie Elder, The Wild Bunch, Butch Cassidy and the Sundance Kid, True Grit, An Eye for an Eye, The Flim-Flam Man, Showdown, Invitation to a Gunfighter, and The Deadly Companions.
Clint Eastwood: The Dollars Trilogy, Hang 'Em High, Where Eagles Dare, The Witches, Coogan's Bluff, and Paint Your Wagon.
Eli Wallach: How the West Was Won, The Magnificent Seven, The Misfits, The Tiger Makes Out, Lord Jim, How to Steal a Million, A Lovely Way to Die, Seven Thieves, The Good, the Bad and the Ugly, Genghis Khan, The Poppy Is Also a Flower, How to Save a Marriage and Ruin Your Life, Ace High, Hemingway's Adventures of a Young Man, The Brain, Mackenna's Gold, Kisses for My President, Act One, The Moon-Spinners, and The Victors.
Lee Van Cleef: The Man Who Shot Liberty Valance, For a Few Dollars More, The Good, the Bad and the Ugly, Posse from Hell, The Big Gundown, Sabata, Death Rides a Horse, Commandos, Day of Anger, and Beyond the Law.
Richard Burton: The Sandpiper, Where Eagles Dare, Ice Palace, The Longest Day, The Bramble Bush, Zulu, Becket, Cleopatra, What's New Pussycat?, The Night of the Iguana, The Spy Who Came In from the Cold, Who's Afraid of Virginia Woolf?, The Taming of the Shrew, Candy, Boom!, The Comedians in Africa, The Comedians, Doctor Faustus, Staircase, and Anne of the Thousand Days.
Paul Scofield: A Man for all Seasons, The Train, and Tell Me Lies.
Warren Beatty: All Fall Down, Splendor in the Grass, Bonnie and Clyde, Lilith, The Roman Spring of Mrs. Stone, Mickey One, Promise Her Anything, and Kaleidoscope.
Albert Finney: Tom Jones, The Entertainer, Saturday Night and Sunday Morning, Two for the Road, The Victors, Night Must Fall, Charlie Bubbles, and The Picasso Summer.
Lee Marvin: Hell in the Pacific, The Professionals, The Man Who Shot Liberty Valance, The Comancheros, Paint Your Wagon, Point Blank, The Killers, Donovan's Reef, Cat Ballou, Ship of Fools, Sergeant Ryker, and Hell in the Pacific.
Anthony Quinn: Behold a Pale Horse, Barabbas, Zorba the Greek, Lawrence of Arabia, Guns for San Sebastian, The Rover, San Sebastian 1746 in 1968, The Secret of Santa Vittoria, A Dream of Kings, The 25th Hour, The Happening, Lost Command, Marco the Magnificent, The Visit, A High Wind in Jamaica, Heller in Pink Tights, The Savage Innocents, Portrait in Black, The Guns of Navarone, The Magus, and The Shoes of the Fisherman.
Michael Caine: Hurry Sundown, The Magus, Zulu, The Ipcress File, Alfie, The Italian Job, Deadfall, Funeral in Berlin, Billion Dollar Brain, Battle of Britain, Gambit, The Wrong Box, Woman Times Seven, Play Dirty, Foxhole in Cairo, Solo for Sparrow, The Wrong Arm of the Law, The Bulldog Breed, and The Day the Earth Caught Fire.
Rex Harrison: Cleopatra, My Fair Lady, Doctor Dolittle, The Happy Thieves, Midnight Lace, The Agony and the Ecstasy, The Yellow Rolls-Royce, Staircase, The Honey Pot, and A Flea in Her Ear.
Sean Connery: The Longest Day, Dr. No, Marnie, Goldfinger, From Russia with Love, Macbeth, The Frightened City, On the Fiddle, Anna Karenina, Shalako, The Red Tent, You Only Live Twice, Un monde nouveau, The Hill, A Fine Madness, Thunderball, Woman of Straw, and The Bowler and the Bunnet.
Spencer Tracy: Judgment at Nuremberg, Guess Who's Coming to Dinner, Inherit the Wind, The Devil at 4 O'Clock, and It's a Mad, Mad, Mad, Mad World.
Chishû Ryû: Late Autumn, Otoko wa Tsurai yo, The Human Bullet, Japan's Longest Day, The End of Summer, An Autumn Afternoon, The Human Condition 3, and The Last War.
Martin Balsam: Psycho, A Thousand Clowns, Trilogy, The Good Guys and the Bad Guys, Around the World of Mike Todd, Me, Natalie, Around the World of Mike Todd, Hombre, Among the Paths to Eden, After the Fox, Harlow, The Bedford Incident, Seven Days in May, Suspense, Youngblood Hawke, Everybody Go Home, Breakfast at Tiffany's, Ada, Cape Fear, Route 66, and Who's Been Sleeping in My Bed?.
Alan Bates: Zorba the Greek, Georgy Girl, Far from the Madding Crowd, Women in Love, King of Hearts, The Fixer, The Entertainer, Zorba the Greek, Nothing but the Best, Whistle Down the Wind, A Kind of Loving, The Caretaker, and The Running Man.
Alain Delon: Is Paris Burning?, Famous Love Affairs, Rocco and His Brothers, Purple Noon, The Leopard, Le Samouraï, The Yellow Rolls-Royce, Lost Command, L'Eclisse, The Joy of Living, The Devil and the Ten Commandments, Love at Sea, Carom Shots, Any Number Can Win, Joy House, The Unvanquished, Once a Thief, Texas Across the River, Adieu l'ami, Jeff, The Sicilian Clan, La Piscine, Spirits of the Dead, The Girl on a Motorcycle, The Last Adventure, and Diabolically Yours.
Peter Sellers: What's New Pussycat?, Casino Royale, Woman Times Seven, Dr. Strangelove, Lolita, The Millionairess, Never Let Go, Two-Way Stretch, The Wrong Arm of the Law, The Dock Brief, The Pink Panther, Only Two Can Play, Mr. Topaze, Waltz of the Toreadors, Heavens Above!, A Shot in the Dark, The World of Henry Orient, A Carol for Another Christmas, Casino Royale, Woman Times Seven, The bobo, The Party, The Magic Christian, and I Love You, Alice B. Toklas.
George C. Scott: The List of Adrian Messenger, The Hustler, Not with My Wife, You Don't!, The Flim-Flam Man, Dr. Strangelove, The Power and the Glory, The Crucible, The Yellow Rolls-Royce, The Bible: In the Beginning..., This Savage Land, and Petulia.
Walter Matthau: Charade, Fail Safe, The Fortune Cookie, The Odd Couple, Strangers When We Meet, Lonely Are the Brave, Mirage, Ensign Pulver, Island of Love, Who's Got the Action?, Candy, Cactus Flower, Hello, Dolly!, The Secret Life of an American Wife, and A Guide for the Married Man.
Jean-Louis Trintignant: Z, A Man and a Woman, The Great Silence, Austerlitz, Horace 62, Un homme à abattre, La Longue marche, Trans-Europ-Express, Le Combat dans l'île, So Sweet... So Perverse, L'Américain, Mata Hari, Agent H21, Journey Beneath the Desert, Il Sorpasso, Col cuore in gola, Death Laid an Egg, Les Biches, My Love, My Love, The Man Who Lies, Metti, una sera a cena, My Night at Maud's, The Libertine, The Sleeping Car Murders, Diamond Safari, Spotlight on a Murderer, Nutty, and Naughty Chateau.
Max von Sydow: The Greatest Story Ever Told, Shame, Hour of the Wolf, The Virgin Spring, Through a Glass Darkly, Bröllopsdagen, 4x4, Winter Light, Hawaii, Adventures of Nils Holgersson, The Mistress, Made in Sweden, The Passion of Anna, The Quiller Memorandum, Svarta palmkronor, The Reward, and Here Is Your Life.
Richard Attenborough: The Sand Pebbles, The Great Escape, Doctor Dolittle, The Angry Silence, Upgreen – And at 'Em, The Dock Brief, Only Two Can Play, The League of Gentlemen, All Night Long, Séance on a Wet Afternoon, The Third Secret, The Flight of the Phoenix, Only When I Larf, Guns at Batasi, The Magic Christian, Oh! What a Lovely War, and The Bliss of Mrs. Blossom.
Melvyn Douglas: Hud, Hotel, The Crucible, Companions in Nightmare, Rapture, Inherit the Wind, Lamp At Midnight, Advance to the Rear, A Very Close Family, The Americanization of Emily, and Billy Budd.
Woody Strode: Spartacus, The Man Who Shot Liberty Valance, Sergeant Rutledge, The Last Voyage, Two Rode Together, The Sins of Rachel Cade, Che!, Once Upon a Time in the West, Boot Hill, Genghis Khan, Shalako, Black Jesus, The Professionals, Tarzan's Three Challenges, and 7 Women.
Yûsuke Kawazu: The River Fuefuki, Ken, Manji, Kiri no Hata, Cruel Story of Youth, Genocide, Fighting Elegy, and Black Lizard.
John Cassavetes: The Dirty Dozen, Rosemary's Baby, A Child Is Waiting, The Killers, Devil's Angels, Roma come Chicago, If It's Tuesday, This Must Be Belgium, Machine Gun McCain, and The Webster Boy.
Laurence Harvey: The Outrage, Kampf um Rom, The Manchurian Candidate, The Ceremony, The Alamo, The Long and the Short and the Tall, BUtterfield 8, Walk on the Wild Side, The Wonderful World of the Brothers Grimm, The Running Man, A Girl Named Tamiko, Darling, Of Human Bondage, Summer and Smoke, Two Loves, The Doctor and the Devil, Rebus, The Spy with a Cold Nose, The Magic Christian, L'assoluto naturale, The Charge of the Light Brigade, A Dandy in Aspic, Life at the Top, The Outrage, and The Winter's Tale.
Omar Sharif: Mackenna's Gold, Behold a Pale Horse, Lawrence of Arabia, Doctor Zhivago, The Poppy Is Also a Flower, The Fall of the Roman Empire, Funny Girl, More Than a Miracle, Che!, Mayerling, Trois hommes sur un cheval, The Appointment, Genghis Khan, The Yellow Rolls-Royce, El mamalik, The Night of the Generals, Lawet El Hub, Nahna el talamiza, Gharam el assiad, Hobi al-Wahid, The Beginning and the End, The River of Love, A Rumor of Love, and There is a Man in our House.
George Peppard: How the West Was Won, Breakfast at Tiffany's, The Carpetbaggers, House of Cards, Home from the Hill, The Victors, The Subterraneans, P.J.,What's So Bad About Feeling Good?, Pendulum, Operation Crossbow, The Third Day, Tobruk, Rough Night in Jericho, and The Blue Max.
James Garner: The Great Escape, Grand Prix, Duel at Diablo, 36 Hours, The Pink Jungle, A High Wind in Jamaica,Hour of the Gun, The Americanization of Emily, Cash McCall, The Children's Hour, Boys' Night Out, Action on the Beach, The Art of Love, Grand Prix: Challenge of the Champions, The Thrill of It All, Move Over, Darling, The Wheeler Dealers, Marlowe, Support Your Local Sheriff!, The Man Who Makes the Difference, Once Upon a Wheel, The Racing Scene, A Man Could Get Killed, How Sweet It Is!, and Mister Buddwing.
Donald Pleasence: The Great Escape, The Night of the Generals, You Only Live Twice, Creature of Comfort, Will Penny, Fantastic Voyage, The Greatest Story Ever Told, The Hallelujah Trail, The Caretaker, Suspect, No Love for Johnnie, The Shakedown, The Flesh and the Fiends, The Hands of Orlac, Hell Is a City, The Wind of Change, Circus of Horrors, Sons and Lovers, The Big Day, Dr. Crippen, Cul-de-sac, The Inspector, What a Carve Up!, Eye of the Devil, Matchless, Arthur? Arthur!, The Other People, The Madwoman of Chaillot, A Story of David, and Spare the Rod.
James Coburn: Charade, The Americanization of Emily, The Magnificent Seven, Hell Is for Heroes, The Great Escape, Our Man Flint, In Like Flint, The Man from Galveston, The Murder Men, Hell Is for Heroes, What Did You Do in the War, Daddy?, Duffy, Candy, The President's Analyst, Dead Heat on a Merry-Go-Round, Waterhole No. 3, Major Dundee, A High Wind in Jamaica, The Loved One, and Hard Contract.
Cary Grant: Charade, The Grass Is Greener, That Touch of Mink, Walk, Don't Run, and Father Goose.
Horst Buchholz: The Magnificent Seven, One, Two, Three, Fanny, Nine Hours to Rama, Marco the Magnificent, The Empty Canvas, Ankle Bone, Cervantes, That Man in Istanbul, Johnny Banco, and How, When and with Whom.
Jackie Gleason: Soldier in the Rain, The Hustler, Gigot, Requiem for a Heavyweight, Skidoo, Papa's Delicate Condition, How to Commit Marriage, and Don't Drink the Water.
Arthur Kennedy: Lawrence of Arabia, Barabbas, Hemingway's Adventures of a Young Man, Claudelle Inglish, Cheyenne Autumn, Murder, She Said, Anzio, Shark!, A Minute to Pray, a Second to Die, Hail, Hero!, Nevada Smith,Murieta, Fantastic Voyage, Attack and Retreat, Joy in the Morning, Monday's Child, and Day of the Evil Gun.
Peter Finch: Kidnapped, The Trials of Oscar Wilde, The Day, No Love for Johnnie, In the Cool of the Day, I Thank a Fool, Girl with Green Eyes, The Pumpkin Eater, The Flight of the Phoenix, Judith, First Men in the Moon, Far from the Madding Crowd, 10:30 P.M. Summer, Come Spy with Me, The Greatest Mother of Them All, The Legend of Lylah Clare, and The Red Tent.
Hugh Griffith: How to Steal a Million,Exodus, Mutiny on the Bounty, Oliver!, The Counterfeit Traitor, The Citadel, Point of Departure, The Day They Robbed the Bank of England, The Inspector, Tom Jones, Term of Trial, The Poppy Is Also a Flower, Hide and Seek, The Bargee, The Amorous Adventures of Moll Flanders, On My Way to the Crusades, I Met a Girl Who..., Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, The Sailor from Gibraltar, The Fixer, Il marito è mio e l'ammazzo quando mi pare, and Brown Eye, Evil Eye.
Jason Robards: A Big Hand for the Little Lady, Hour of the Gun, Long Day's Journey into Night, A Thousand Clowns, Act One, By Love Possessed, Isadora, Tender Is the Night, Divorce American Style, A Big Hand for the Little Lady, The St. Valentine's Day Massacre, Any Wednesday, Once Upon a Time in the West, and The Night They Raided Minsky's.
George Seagel: The Southern Star, No Way to Treat a Lady, Invitation to a Gunfighter, Who's Afraid of Virginia Woolf?, Lost Command, The Quiller Memorandum, The St. Valentine's Day Massacre, King Rat, Act One, The Young Doctors, The Bridge at Remagen, The Girl Who Couldn't Say No, Bye Bye Braverman, and The New Interns.
Rod Taylor: Chuka, The Time Machine, Sunday in New York, The Glass Bottom Boat, 36 Hours, The Birds, Hotel, Nobody Runs Forever, The Hell with Heroes, One Hundred and One Dalmatians, Seven Seas to Calais, Colossus and the Amazon Queen, Dark of the Sun, The Liquidator, Young Cassidy, Fate Is the Hunter, Do Not Disturb, and A Gathering of Eagles.
Robert Ryan: Ice Palace, Billy Budd, The Longest Day, The Wild Bunch, The Dirty Dozen, Battle of the Bulge, The Professionals, Anzio, Captain Nemo and the Underwater City, A Minute to Pray, a Second to Die, Hour of the Gun, Custer of the West, The Busy Body, The Canadians, King of Kings, and The Crooked Road.
Christopher Plummer: Battle of Britain, The Sound of Music, The Fall of the Roman Empire, Inside Daisy Clover, The Royal Hunt of the Sun, Lock Up Your Daughters, Nobody Runs Forever, Oedipus the King, The Night of the Generals, and Triple Cross.
Michel Piccoli: Le Doulos, Contempt, Diary of a Chambermaid, La Guerre Est Finit, Les Creatures, The Young Girls of Rochefort, Belle De Jour, Danger: Diabolik, Dillinger is Dead, The Milky Way, Topaz, Lady L, The Day and the Hour, Masquerade, L'Invitée, Climats, Les Petits Drames, Adieu Philippine, La dragée haute, Le Bal des espions, Amazons of Rome, All About Loving, The Sleeping Car Murders, The War Is Over, The Game Is Over, Belle de Jour, Benjamin, Shock Troops, La Chamade, and La Prisonnière.
Tatsuya Nakadai: When a Woman Ascends the Stairs, Yojimbo,The Human Condition: A Soldier's Prayer, Immortal Love, Sanjuro, Harakiri ,High and Low, Kwaidan, The Sword of Doom, The Face of Another, Samurai Rebellion, Kill!, Goyokin, Portrait of Hell, Get 'em All, Daughters, Wives and a Mother ,Miren, A Woman's Life, Pressure of Guilt, Love Under the Crucifix, The Blue Beast, The Other Women, Kumo ga chigieru toki, Hakari, The Legacy of the 500,000, Saigo no shinpan, Blood End, Arijigoku sakusen, Kwaidan, Saigo no shinpan, Fort Graveyard, Cash Calls Hell, Illusion of Blood, Kojiro, The Age of Assassins, The Daphne, Today We Kill... Tomorrow We Die!, Rengō Kantai Shirei Chōkan: Yamamoto Isoroku, Blood End, Hitokiri, Eiko's 5000 Kilograms, and The Battle of the Japan Sea.
James Mason: Lolita, Duffy, Mayerling, The Sea Gull, Age of Consent, The Blue Max, Stranger in the House, The Deadly Affair, Georgy Girl, The Fall of the Roman Empire, The Pumpkin Eater, Genghis Khan, Lord Jim, The Uninhibited, Hero's Island, Torpedo Bay, Tiara Tahiti, The Trials of Oscar Wilde, The Marriage-Go-Round, and Escape from Zahrain.
Vincent Price: The Last Man on Earth, Witchfinder General, Convicts 4, Confessions of an Opium Eater, Tower of London, Tales of Terror, The Raven, Diary of a Madman, The Haunted Palace, The Masque of the Red Death, The Tomb of Ligeia, Twice-Told Tales, Dr. Goldfoot and the Bikini Machine, The Comedy of Terrors, City Under the Sea, The House of 1,000 Dolls, The Pit and the Pendulum, Nefertiti, Queen of the Nile, Rage of the Buccaneers, Beach Party, House of Usher, Master of the World, Dr. Goldfoot and the Girl Bombs, Spirits of the Dead, The Trouble with Girls, The Jackals, More Dead Than Alive, and The Oblong Box.
Jack Nicholson: The Raven, Easy Rider, The Little Shop of Horrors, The Shooting, Head, Hells Angels on Wheels, The Trip, The St. Valentine's Day Massacre, Psych-Out, Thunder Island, Back Door to Hell, Ride in the Whirlwind, Flight to Fury, The Wild Ride, The Broken Land, Studs Lonigan, Too Soon to Love, and The Terror.
Rock Hudson: Lover Come Back, Send Me No Flowers, The Last Sunset, Marilyn, The Spiral Road, Come September, Strange Bedfellows, Man's Favorite Sport?, A Gathering of Eagles, A Very Special Favor, Seconds, Tobruk, Ice Station Zebra, The Undefeated, Blindfold, and A Fine Pair.
Charlton Heston: El Cid, The Pigeon That Took Rome, 55 Days at Peking, The Greatest Story Ever Told, While I Run This Race, All About People, The Agony and the Ecstasy, Number One, Planet of the Apes, Counterpoint, Will Penny, Major Dundee, Khartoum, The War Lord, The Five Cities of June, and Diamond Head.
John Gavin: Psycho, Midnight Lace, Back Street, The Madwoman of Chaillot, Thoroughly Modern Millie, OSS 117 – Double Agent, Tammy Tell Me True, Spartacus, Pedro Páramo, A Breath of Scandal, and Romanoff and Juliet.
Stephen Boyd: Lisa, Billy Rose's Jumbo, Fantastic Voyage, The Poppy Is Also a Flower, The Big Gamble, Slaves, The Caper of the Golden Bulls, Shalako, Assignment K, The Bible: In the Beginning..., The Fall of the Roman Empire, Genghis Khan, The Oscar, The Third Secret, and Imperial Venus.
submitted by Britneyfan456 to criterion [link] [comments]

Casino Friday 200 Gratis Spins and 100% Free Bonus Code

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submitted by freispiele to u/freispiele [link] [comments]

Post from Guy Crittenden on FB

A GREAT PURGE IS UNDERWAY
This is a grave message to all my fellow Canadians, and our friends around the world. Last night, Facebook took down and deleted the organizing pages of several of Canada's most prominent resistance groups — The Line and also Mothers Against Distancing (MAD) and a related Christmas Parade page MAD had organized. Yes, apparently Christmas is canceled and anyone hoping to organize a parade for children is an enemy of the state.
Let me please provide some perspective on what just happened, even for those who don't agree with the messages and actions of those groups, which are part of and central to a network of such resistance groups across Canada.
We are a very long way down the road to fascism now, my friends. According to Naomi Wolf's system, we're at about stage nine out of 10 for full fascism. We're undergoing a digital book burning at the moment with the deletion of hundreds of channels on YouTube and hundreds and hundreds of pages and accounts and groups on Facebook and other social media. I received a flurry of emails and messages over the past week from people shocked and outraged that Facebook groups and YouTube deleted channels in which people invested years of their lives, with thousands of members, tens of thousands even. As I follow the opposition movement closely, I can attest that the pattern is the deletion of anything that goes against official narratives. You do know this has happened before, right? Last night was the equivalent of Kristallnacht in Canada — the famous night when Hitler's brownshirts smashed the windows of Jewish stores and engaged in public book burnings.
The scattered ragtag groups of ordinary citizens (who are extraordinary people in my opinion) have withstood public shaming and ridicule, assaults and smears from our media, and on and on. Why? Because they question the wisdom of forcing children to wear masks all day? When that can cause brain damage? Because they object to tens of thousands of businesses being bankrupted? Over a virus we now know is LESS lethal than the seasonal flu? We know now from the CDC itself that the vast majority of recorded COVID deaths were not from the virus? We know from Boris Johnston himself that the PCR tests are only seven per cent reliable?
This is a globalist takeover of the world economy via the central banks, using an induced biological crisis to install medical tyranny, and then an AI control grid, which you might have witnessed has now largely been installed during the lockdown while you were encouraged to stay at home and watch Netflix and order goods from Amazon, while the globalists lit a fire under the middle class that is now largely destroyed. Citizens in places like the Province of Ontario where I live will be among the last to resist as most people here actually work directly or indirectly for the government, as teachers, doctors, firemen, bureaucrats, nurses, bus drivers, etc. They'll hear the sheik on Alpha Centauri when these unionized workers learn their gold-plated pensions are worthless, as they soon will be when the oligarchs short the market again and crash it for good. For now they're joining the chorus of the corporatized CBC propaganda machine, criticizing the dissidents and even smearing a professor who doesn't agree with the government as a Russian agent. Can you spell McCarthyism? We're back to redbaiting now it seems, along with race baiting and every other kind of baiting.
If you're wearing the mask, please note that it's now an occult symbol of your submission, whether you realize it or not. A spell has been cast on you, and you're wearing the equivalent of a swastika arm band, and people without it are being identified and the government is encouraging that such people be ostracized and even attacked. I know some of you don't see it yet, and may never see it. Most will never admit they were fooled, especially after being sanctimonious for eight months and unfriending anyone who spoke up. If you ever wondered what you'd do if "the Nazis" ever returned, well, now you know. Most have revealed themselves to be joiners, go alongs, people who don't speak up.
I don't know which form of behaviour to despise the most: the people who've fallen for the psyops, who at least are sincere, or the people who see through it but do nothing, because they're afraid of being ostracized. I know because I lead a group and some people I've invited have written me privately to say they're too afraid to go public. They can't "risk their jobs" by being possibly seen in a news report about the public demonstrations and rallies. Well, that attitude helped Hitler and Stalin and Mussolini and Franco greatly, I can tell you. Most Germans went along with what they got swept up in not because they were passionate Nazis but because they were living through a state terror campaign, and after a decade of that were led into a fatal and genocidal war. I'm a student of such history and see all the elements lining up. And you know what's weird? It's the SAME forces behind it as 100 years ago: the technocrats and eugenicists who sought to create a Utopia based on creating a master race. Look at Elon Musk and his dreams of going to Mars and attaching our brains to computers. Look at the Transhumaist agenda of people like the WEF's Klaus Schwab, an unreformed product himself of Nazi Germany.
Last night we not only fell down another step on democracy's stairway, but fell down a whole flight of stairs. And almost no one in Canada noticed or will ever know, because the corporate media won't tell them, and they won't find their way to this post. The Stalinist purges are underway, folks. And things are only getting started. Ontario has announced ID2020 and last weekend the Global Reset of financial markets got underway in a vast and dangerous experiment to shift to a new system that may or may not prolong the casino economy of international credit a little longer. The bankers are picking up pennies in front of a steamroller at the moment, and when they get flattened, we'll move from a fiat monetary system to a digital currency and the full AI control grid. At that point, when the trap shuts and our lives truly become like an episode of Black Mirror, the significance of last night's events will register with you.
submitted by ThePaoloAlto to conspiracy [link] [comments]

Dead Rising: Satire vs Parody

Fans of Resident Evil were more than happy to see Capcom come out with another zombie title that replaces tight hallways and puzzles with open-world exploration and a level-up system. The creation of Dead Rising, back in 2006, was a breath of fresh air that was surprisingly supposed to be a sequel to Shadow of Rome, which is a random gladiator game that pretty much nobody played but was something far ahead of its time. Fast forward about 10 years and 3 games later, and Dead Rising is as dead as the zombies that plague its mall, casinos, city, and mall again. Granted, the games changed from a Japanese studio to a Canadian studio after the first one was a smash hit and it was very visible that the second game was already of a different quality. However, once it hit 3, there was such a huge difference in the way the game functioned and played out, people outright refused to bother playing it(it didn’t help that it was an Xbox exclusive until the poorly optimized PC port came out).
When it comes down to the first installment being a goofy game that lets you dress as a little school girl and ride a tricycle while zombies are swatting at wasps and yellow raincoat cult members are blowing themselves up, it’s hard to imagine people complaining that the third and fourth game got too silly for their own good. What a lot of people don’t realize is how that is a legitimate concern from gamers, due to the situation that is what I like to call “invisible nuance”. This invisible nuance is where people are unable to understand how the games differ from 1 and 2 over to 3 and 4, and this is because 1 and 2 are satire, while 3 and 4 are parody. In fact, 4 is a parody of the entire series, making it a parody of a parody. With that slight nuance, the Canadian designers not only ruined the story for everyone, but they ruined any chance of a fifth game until Capcom gets so desperate they might as well summon up their own zombie horde to sit down and buy their games.
I understand that not many people understand the difference between parody and satire, and I am certain the developers didn’t either when they adopted the IP from the Japanese studio. This is why I believe that the second game was accidentally good, even though they still fumbled on things like making Chuck a really iffy kind of melee fighter at full level and how the game was starting to become a little bit too cartoony for its own good. To put it simply, satire is when a work of art is making fun a genre or work by being part of it. Parody is when a work of art is taking a genre or another work of art and is using it to make jokes that are unrelated to what it’s basing itself on. Satire uses humor to show flaws in human behavior or culture, while parody uses an established work of art to make a joke.
It’s very difficult to understand the difference, I know, but I think I’m able to make it simple to understand with a few examples. My favorite example is the difference between Scream and Scary Movie. Scream is satire, Scary Movie is a parody. Scream has a plot revolving around the tropes of slasher films, Scary Movie has a chick belittle her killer after she’s decapitated. Scream has the group follow clues from slasher movies to avoid being killed, Scary Movie has a dude cum so hard the girl on top of him is stuck to the ceiling.
If that doesn’t make the difference clear to you, then, I’m sorry, I fear you have the case of the brain worms.
The plot of Dead Rising is a satire of Resident Evil, mixed with a take on American consumerism. The entire reason the zombie outbreaks occur in the mall is because a terrorist group wanted to bring the problem a corporation invoked on their Latino town of Santa Cabeza, all because the company wanted to make more cows in order to feed Americans. It’s not that Americans are staring, but rather they are demanding, and the best place to see American demand back in 2006 was in a shopping mall on Black Friday. Shaun of the Dead did a similar satire moment where they showed shoppers at a store walking like zombies because that’s pretty much how they look, just switch the words “brains” with “bargains”. Surprisingly, the first game doesn’t have money as an issue, although it was great when the second game implemented it for its theme of corporate anti-culture and big pharma.
So far, we have two games that follow their themes very well and are applying them as a satire. The mall setting is a satire set up for consumerism, while the casino and wrestling ring strip in the second game is a satire set up for anti-culture turning people into greedy slobs that just want to watch blood matches and gamble. Even the main characters of Frank and Chuck work well as themes, with Frank being a journalist(he’s covered wars, you know) and Chuck being a motocross champion turned gladiator. Both of these cause their outbreaks for different reasons and both of these have a beautiful grip on what makes the psychopaths “psychopaths”.
Psychopaths are the result of someone going crazy due to the outbreak and because the designers needed a reason to have boss battles across the game’s 3-day span. Just having them there was satire since it’s kind of rare to see people going crazy in zombie movies (back then) and it was interesting to see how humans would turn on humans by having PTSD and a history of being oppressed or already psychotic. The idea of Frank covering wars and then coming home to deal with people having PTSD is a great theme, due to how war has to be glorified in the American news to keep the war effort going, and then the soldiers come home and reveal how terrible it actually was.
The first game even has a moment where a psychopath named Cliff goes crazy in a home repair store and after you defeat him, he gives a dramatic monologue about how he snapped the second he saw his granddaughter get eaten by zombies. It’s a heart-wrenching moment that is perfectly finished by Frank closing Cliff’s eyes with a hand and letting out a defeated sigh. Much like how it is in war, not every battle won is a victory. Then there are Psychopaths like Adam the clown who are memorable for the wonderful performance by the voice actor and how intense the battle is.
But no matter what Psychopath we deal with, they all follow a theme and an archetype. Adam is the Caino archetype clown, one who is miserable but desires others to laugh and enjoy themselves. This gets twisted into him tying people onto a thrill ride and juggling chainsaws for the sake of “amusement”. The grocery clerk, Steven Chapman, is the archetype of the perfect retail employee. His archetype is twisted into someone who shrieks at the top of his lungs for people to get out of his store and he sets up a shopping cart with pitchforks and blades on it. There’s even a cult leader in a movie theater to make reference to the “cult of personality” where people go to watch and indulge in pointless films to simply argue and create teams against each other about “what media is better than another” with none of them realizing that they are just blindly following propaganda that makes them feel good or powerful.
There’s a reason for these psychopaths to be there. They follow themes, they are archetypes, their actions relate to their themes, and even their settings fit their themes to create this deep experience that sticks with you, all while poking fun at the subject of consumerism. That is why people enjoy satire. The events are making fun of the major themes and subjects, all while being a part of those themes and subjects. The survivors are the same way, where you’re trying to save their lives and yet some of them worry more about food, when they are already fat, or they are found doing something they enjoyed in their normal life as if the zombie apocalypse is the perfect excuse to rush to escapism.
In the second game, they do the same thing with corporations and big pharma, and they use satire in a similar way but didn’t really tie their themes to either one. Instead, they tied their themes to job titles and employment. Ted Smith, the tiger tamer who looks like if Bobby Hill had a baby with a potato and fed it paint chips, becomes a Psychopath to treat the tiger he grew attached to. Antoine Thomas, the chef that is a bitch to kill, goes crazy trying to create the perfect dish with human flesh. Or is it zombie flesh?
Either way, once you meet the mailman with a shotgun who goes postal(yes, I went there, because the game went there), it’s easy to see that they are simply going crazy the same way the grocery clerk of the previous game went crazy. They had a job, they became that job, and they will die as that job. It’s kind of a way to talk about corporatism, but it’s also kind of not. This is why I think DR2 was starting to get messy with its themes and satire, because even though they were using satire to make fun of people who take their jobs too seriously, it’s not really part of the main theme, so it’s understandable why the Psychopaths are not as memorable. Strangely enough, the ones that are memorable are the ones who do fit the corporation theme, like the CURE terrorist who fights you with broken glass, and TK who serves as the main antagonist.
Zombrex, the entire reason the game happens, due to big pharma needing zombies to create queens, which allows them to make more zombrex, is the biggest aid in the main theme. Even if you kill TK, the outbreaks will continue, because they would need more zombrex, which requires more zombies, which then makes more people need more zombrex. I swear that theme was far too genius for its own good. Sadly, the only part of the gameplay that relates to it is going over to a pawn shop that is owned by a faceless entity to buy weapons and zombrex, and that’s about it. I guess you can count the “spend money to make money” mentality with gambling because the entire business practice is a gamble, but I’m not really sure if that’s intentional or if I’m just fishing for anything relevant.
To wrap up the satire segment, it’s kind of clear that the main idea behind the first 2 games, when it came to satire, was how the themes matched the events and the actions, as well as the humor. Anything goofy going on gameplay-wise is not part of the “world” that the story is setting up. You don’t craft weapons during a cutscene and it’s not like the game forces you to dress up like Megaman for a mission. Granted, there is the ability to be kidnapped by cultists in the first game and you wake up in a box in your underwear, but that’s still part of the gameplay, where it belongs.
Now… let’s talk about parody, and boy is this going to be a rant.
The third game is where everything goes downhill, story-wise. The idea of big pharma is gone, the idea of American consumerism is there accidentally, and the designers wanted to put a big emphasis on how combo weapons exist. You play as Nick Ramos, who is a mechanic and… that’s his entire character. While Frank was a big mouth pacifist who seeks the truth and Chuck was a hard-ass who wants safety for future generations, Nick is a clean slate who likes to scramble on the floor and awkwardly ask people why they’re killing people. Nick is no longer a character, but rather, a walking joke.
He’s nothing more than the voice of the director telling the audience what they should be thinking in order for their awkward scenes to work. His over the top expressions, as if he’s auditioning to play the dad from Son of the Mask, are what the director wants the player to do when a fat lady stabs a man with an oversized fork or when a MILF cop puts his hand on her fake tit. The idea isn’t that he’s a satire of the typical zombie hero, but rather a slapstick parody of what the player does during gameplay. It’s hard to imagine Nick being shocked at a few dead bodies, then quickly fly into action with a boxing glove that has an acetylene tank taped onto it. The amount of difference between cutscenes and gameplay is so extreme, we’re more inclined to skip Psychopath introductions because Nick doesn’t act like the character we’ve been playing as, but rather acts like a helpless survivor that wandered away from the safe house.
And before I go off on how the Psychopaths are like in the third game, I have to say that the idea of using the seven deadly sins was an okay idea. It’s not bad. I like themes that represent something. But what the hell does the seven deadly sins have to do with the theme of the story? I have to get into the main theme before I talk about the Psychopaths. While DR1 was about consumerism, and DR2 was about corporatism, DR3 flew way off-topic and decided to make a game about zombies discuss privacy and citizen rights.
Yeah… I’m not a genius when it comes down to zombie tropes, but what exactly does a Hispanic dude helping out a group who call themselves The Illegals have to do with the plot of a zombie outbreak? If anything, the plot is saying “these illegals are a risk because there are people who create outbreaks if they are not tracked” and then the gameplay says “you must save these people who risk more outbreaks because they want to do things their own way” with then the plot later going “hey, remember those illegals, you have to help them because this one chick is an illegal and she’s important for no real reason.”
Seriously, Annie, the major subplot out of like 5 different unrelated subplots, is Nick’s main objective in the beginning for no real reason. It’s never shown that they are dating, it’s never said she’s important to him, and it’s never said what Nick’s reason is other than “I have to find her”. This can only be concluded as a parody of how games give you missions for no reason. “Bring me 10 goat foreskins”. Why? I don’t know, but I’ll reward you with exp and gold.
These main characters have nothing to them except for Gary, who is a mobster who used to be a wrestler, which touches a fall from grace personality that makes him cocky in his ability but humble in his situation. Everyone else is no longer an archetype or even remotely relatable to a character we can point to any zombie media. Annie is a babydoll goth only by appearance, Rhonda is a pinup punk, Red is a beatnik. These aren’t personalities, they are costumes that follow a stereotype, and they didn’t even bother to include the stereotype. Instead, we get these empty husks that are ready to tell jokes instead of supporting the reason why they are there, to begin with.
Okay, I’ve delayed it long enough… It's time to talk about the Psychopaths.
We get seven major Psychopaths that fill out the seven sins: Lust is an S&M performer who you find in a porn shop, gluttony is a fat lady on a scooter you find in a buffet, greed is a surgeon who is collecting organs, sloth is a champagne socialist you find in his mansion, wrath is a zen monk in his garden, envy is a nerd on a yacht who tries to be like Nick, and pride is a female bodybuilder you find in a gym.
At first, from that alone, you can go “oh, that sounds good. The themes are in order, they don’t have much wrong with them, and they don’t conflict with their symbolism.”
That is because, on paper, they are almost flawless. But once executed and given dialogue, they are no longer satire. They become parodies of sins. The only ones that stay in their lane are the surgeon and the S&M gimp, and that’s because their personalities and roles are easy to make rather threatening and psychopathic. The rest of them become these over the top cartoon representations that fart a lot and make jokes like they’re Jim Carrey during the dream scene in Dumb and Dumber.
I swear, I’m not joking, two of them, sloth and gluttony, shit themselves when they die. Wrath, an old monk who’s gone mad and says “pretentious big brain Buddhist riddles” has his last word be “Seriously?!” after reminiscing about having a family. There’s nothing really about them that makes them sinners, other than how they set up jokes. Pride gets called “sir” by Nick, and it’s funny because she’s just a really buff chick with short hair, and Nick is supposed to be the player and Nick is a misgendering idiot. The rest of the Psychopaths, who are part of the main story, have very little to do with anything.
To put it plainly, the theme we’ve established with the concept of illegals and citizen rights and privacy, the only thing the main story Psychopaths relate to is that some of them are police officers and military officials. This is just a parody of the previous games, where they had two DHS agents try to find out what’s going on with you, and now the government is your biggest enemy because there is The Illegals organization and they are important and stuff. I don’t think I have to get into the subject of the illegal crisis the US has had since before Dead Rising was a thing, but, just so we’re clear, the bitten illegals are a parody of the immigration illegals.
They create an organization, they claim they just want to be safe and do things on their own, they want to stay off the grid, and then they have people like Red who go out of their way to destroy government property and we have people like Annie who has a father (Chuck Greene) who’s in charge of a mafia. I don’t know about you, but this sounds like a Spanish soap opera more than it sounds like a zombie game. Nothing about them is saying why they are illegal, or what the illegal status means to an outsider, or what the illegal status means to an insider. They say they are free and then they are held up in a shelter surrounded by zombies and they need Nick to save them.
Speaking of Nick, let’s talk about his tattoo.
Later on in the game, it’s revealed that Nick is part of an experiment where they had a bunch of children, who are immune to the virus but also carry it, go out into different places. The reason is kind of so that they can infect places, which is seen in an awful cutscene that is literally a museum of exposition, and it’s hinted that Nick or his friend Diego might have been the reason people were infected in their area, but it’s never really said. Instead, they drop that plot point and talk about how Nick is the cure.
So, the entire time we’re playing as Nick, we are shown that he’s useless in human interactions and is a weakling, but then now he’s the cure and the savior of the human race, as long as he can be taken away and studied. This is a parody of exactly what Frank West’s character went through in the first game, which was a hero’s journey.
You see, a hero’s journey, when applied with the Jungian form that Frank West had, is done right, you get a story that flows well and makes sense. Frank had the call of adventure towards the mall, he’s helped by the DHS agents, he gets mentors and helpers along the way, then he’s thrown into the abyss of the conspiracy, he changes from a journalist to a warrior of truth, he finds out he’s bitten and will soon turn, then he is granted the reward of finding a temporary cure with Isabella’s help. Near the end, he also encounters his shadow, who is a military commander. Frank is out to reveal the truth, while the military commander is out to conceal the truth. The battle challenges Frank’s beliefs of whether or not hiding such a big scoop is the right thing to do.
Nick’s journey is a parody of this, minus the shadow.
He starts off as useless, never really works for anything to happen, the entire story exists without him needing to be there, then near the end, they say “by the way, you’re important”, all for the story to say Nick is still not really that important and reveal that Isabella caused the outbreak so that Nick can reveal himself as someone who’s immune.
This isn’t a hero’s journey. It’s not even a journey. It’s a series of unfortunate events that reward Nick for absolutely no reason. He has to survive because he’s special, but he didn’t do anything to be special, other than magically be good at combining things, which… is something everyone else can do in this world. The best way I can say his character fits the theme is by saying “the cure to a bad situation is to have someone who can fix stuff”. Doesn’t that sound absolutely engaging?
Now, what about the fourth game? Is there anything else I really have to add to hammer in the idea that these two failures were accidental parodies? I guess I can say that the fourth game goes over consumerism, again, but leaves it at “hey, Christmas is a thing, right?” Nothing in the story really deals with the theme of consumerism because that game has the theme of freaking transhumanism. The main villain is a dude who’s a conscious zombie with robot armor and Frank West turns into a zombie, only to be turned back into a human. Frank turns into a rotting corpse… then he turns back into a fully functional human.
Trust me, that’s a parody. That’s just a joke with nothing funny attached to it, much like most of Frank’s dialogue in the fourth game. All he does is wisecracks and Uncharted-esque zingers. His personality is to wait for someone to give him material to make fun of and to have pointless arguments with Asian women. Even when I say the theme is about transhumanism, it really does just end at that. There are no more Psychopaths, they replaced them with maniacs. The maniacs are a parody of Psychopaths.
Characters like the Sadistic Claus and Captain Black Fridaybeard have nothing to do with the theme and they have nothing to do with reality. They are just there, wielding electric axes and ice swords because that’s how the designers wanted to reward the player for defeating an opponent that is easier than finding something to be disappointed within the game. Archetypes are more than just catchphrases, vernacular, and stereotypes. They have an actual purpose and theme that is carried out by their actions and desires because the most important part of an archetype is their specific desire.
When all the maniac simply desires is “kill everything” then they’re no different from a wandering zombie. They are reduced to a parody of what the psychopaths were. The story was reduced to a parody of the first game, with the theme even being parodied as “with consumerism, we can achieve transhumanism” as part of the plot. It’s basically saying, “you eat a lot and we end up with robo-zombies that talk.” Frank himself was reduced to a parody of Frank, with his charismatic journalistic archetype being replaced by Carrot Top and his bag o’ funny props.
At no point am I saying that parody is bad. To be honest, I love parody movies like Scary Movie, especially Scary Movie 2. However, when we want to make a game fun, and when it’s a game like Dead Rising, the jokes of said parody should make us actually laugh. It should try to make us amused, and that’s hard to do with a setting that’s also trying to take itself seriously at times. It’s like trying to enjoy a parody episode of Simpson’s Treehouse of Horrors and the entire time they play it off like it’s supposed to be serious. That serious tone is great for satire, but it’s just too out of place for parody.
Parody can exist within satire, but satire cannot exist within a parody. Satire relies on the themes of the subject to make the humor have its punch, while parody is simply a joke that uses a theme and subject as a platform to talk about something unrelated. I believe the designers who messed up on that little bit of nuance had the right intentions but didn’t have the right direction. If anything, nobody told them the first game was satire and the second game was kind of trying to copy the first game in approach and they lucked out by great observation. But the second they decided to try something else, they had no idea what the original plan was and went off into their presumed direction, parody.
It’s amazing how such a small mistake can cause such big problems, but let that be a lesson to you. The slightest misunderstanding you have of the art you try to mimic can cause the biggest differences in how people compare yours with the original source. There are things that stick with people and there are things that fall flat. The more you understand the established concepts that people enjoy, the better you’ll be able to please your audience and returning fans. If you don’t understand how the art was well received, and you go by “top trends of the previous year”, you’re going to make another Dead Rising 4.
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Book Jon Moxley’s AEW World Championship Reign: Part 2 - American Venom

Last time we were here we saw Jon Moxley make his fourth AEW World Championship successful defence. He had overcome Death Triangle, and May even have planted the seeds for their eventual dissolving. Him and Pac went to war for 30+ minutes at All Out, and that came after over a month of fighting. They had wrestled in tag matches twice already in the build up, with Moxley getting pinned for the first time all year twice in that time.
He had successful defences against Kenny Omega, Brian Cage and Darby Allin up until this point. Omega and Moxley had their first authorised match in the main event of Double or Nothing for the gold. Moxley won after a hellacious war, but on that same night - new arriver to the company, Brian Cage, won the Casino Ladder Match in his debut to become #1 Contender.
They would fight in Wembley Arena, England at Fyter Fest, where Moxley won in a Machine’s Rules Match. Not before The Man Called Sting showed up. Mox and Sting made friends, and head into Fight for the Fallen facing against a man who found himself first on the rankings, Darby Allin.
Allin and Moxley faced in a No DQ match, and despite the weapons and blood - what hurt Jon most was he felt like he was fighting himself from 10 years ago. Out of respect he offered friendship and to team together. They did, where they faced Death Triangle. Pac and Moxley entered feud, where Brian Cage and new pal Ricky Starks entered the fray, along with The Rhodes Brothers. This led to a 10-men Tag Team Match on Dynamite, which marked Sting’s final ever match. That ended with Fénix pinning Jon Moxley, earning himself a title match. Mox then would defeat Pac, where we ended off. This leads us into...
Book Jon Moxley’s AEW World Championship Reign - Part 2: American Venom
All Out is finished - Jon Moxley defeated Pac in the main event to retain his AEW World Championship. But that’s not the saga of Jon Moxley and Death Triangle over and done with yet. Fénix pinned Jon Moxley a couple weeks ago and is owed a match for Moxley’s title. The Dynamite after All Out, a banged up Jon Moxley comes out and says that him and Death Triangle’s war isn’t over yet. When Fénix walks out from the ramp on his own, Jon tells him to see him next week. FÉNIX HITS MOXLEY WITH A TOPE CON HILO THOUGH BEFORE HE LEAVES!! FÉNIX THROWS HIM OVER THE GUARDRAIL TO THE FLOOR!! He stands tall and walks off in victory, flapping his fingers up and down to the fans for their reaction to be louder.
By next week Moxley now has a hurt arm since he landed on the concrete with it. Him and Fénix have a meeting authorised by Kurt Angle! It’s the same set up as Jericho and OC’s debate authorised by Eric Bischoff, it has Kurt on the stage as his desk with Fénix and Jon at their own stands either side of him. Fénix has a translator with him. He compliments both men on their work before hand, and lets the challenger speak first. Having Fénix speak in his raw Spanish voice will make him seem the most emotional, rather than have his eyes be lost trying to think of how to say what he wants in English. The translator tells Kurt that Fénix says Moxley may have defeated the rest of Death Triangle, but he hasn’t beat him. As far the records go, Fénix is 1-0 against Jon. Angle and the translator could probably have a funny moment, since Kurt is just a funny guy.
Moxley rebounds with a retort, saying it’s hard to take Fénix seriously wearing his little superman mask and having his nerdy translator speak for him. He laughs at the translator and jokes he should face him instead. “Some real competition” Mox laughs. The translator mumbles what Moxley said to Fénix. He asks if he can jump Jon right now. The translator asks Angle, who tells him “well he already knows what’s coming”. Midway through that sentence though, FÉNIX RUNS ACROSS AND HITS MOXLEY WITH A FRONT DROPKICK!! JON GOES FLYING OFF THE STAGE!! Pac and Pentagon come out then and laugh with Fénix. They all hold up a Cero Miedo taunt, with Angle in the background doing one upside-down.
Fénix and Moxley’s clash is set up for the AEW Dynamite Anniversary Show: Chris Jericho’s 30th Anniversary of Wrestling. This means they have 3 weeks until their clash. Moxley would come out again, looking for a non-title match with Fénix this instant. Fénix would come out, slowly walking towards Jon. Jon would retreat as soon as Fénix steps through the ropes. He looks confused at why Mox left straight after calling him out. Mox then says “…now.” AND OUT COMES WILL HOBBS!! Fénix turns around into a SPINEBUSTER!! Jon then rolls back in and says “now we’re even. Next week I want you at your edgelord brother to take on me and my new pal Will.”
And that much happens, as The Lucha Bros take on Jon Moxley and Will Hobbs on the September 30th edition of Dynamite. Hobbs gets a lot of time to shine, showing off his athleticism. The highlight of the match being him doing an ASAI MOONSAULT TO THE OUTSIDE!! The ending spot sees The Lucha Bros win after pinning Will Hobbs with a Fear FactoDiving Foot Stomp combo. This means Fénix is now 2-0 against Jon. The go home week sees Jon do one of his usual promos outside under of the hot Nevada sun in front of a graffiti covered wall. He says this will end the months of torment him and Death Triangle have put each other through.
AEW Dynamite Anniversary Show:
Jon Moxley (c) vs. Fénix - AEW World Championship
One year ago Dynamite made its inception, the launch of a brand new promotion’s first TV Show was happening live on TNT. On that episode in the main event we witnessed Jon Moxley interrupting the match to attack Kenny Omega, and hit him with a Paradigm Shift through a glass coffee table. The week following we witnessed Fénix make his Dynamite debut in the First Round of the AEW World Tag Team Championships tournament, where him and his brother Penta took on Marko Stunt and Jungle Boy of the Jurassic Express. One year later.
During Jon Moxley’s entrance, he bumps into a wild Hiroshi Tanahashi. Tanahashi is here to celebrate with Jericho for his 30th Anniversary of Wrestling. Tanahashi bows to him and Moxley pats him on the back, before continuing on his march. He hops the guardrail and as if the match could start any other way - FÉNIX WITH A TOPE CON HILO STRAIGHT OFF THE BAT!! The bell rings and the match has started with a bang. Fénix hits him with an elbow before throwing him to the ring post. He looks down at the AEW World Championship and holds it up to the crowd, proclaiming it to be his. HE THEN TURNS AROUND TOA KNEE TO THE GUT FROM MOX!! He throws him into the ring and now we begin.
Moxley hammers elbows to Fénix, but then when he rebounds off the ropes for a Lariat - FÉNIX WITH A HURRICANERANA OUT OF NOWHERE!! Fénix with an Overhead Chop to Jon! He then runs the ropes for a Head Scissors, but Moxley rolls through with it. He slides to the outside. Then Fénix runs up for a Baseball Slide - BUT MOX CATCHES HIM AND THROWS THE CHALLENGER INTO THE GUARDRAIL!! MOXLEY STARTS TO SHOULDER BARGE FÉNIX AGAINST THE STEEL!! Jon then takes his title back up from the floor and hands it to Justin Roberts. He says a few words to him, but from behind is FÉNIX RUNNING UP FROM BEHIND WITH A FRONT DROPKICK!! HE THROWS MOX BACK IN AND HITS THE LA GARRA DE FÉNIX!!! 1..............2.............KICK OUT BY MOX!!!
Just a few minutes have gone by and we’ve already seen all of this. This is the definition of balls to the walls wrestling. Fénix gets up and looks at Moxley, angry he didn’t put him down straight away. Fénix gets up to his feet and lifts Mox up with him. Jon with a quick elbow to the head and follows with a MONEY CLIP!! FÉNIX ESCAPES!! Fénix arm drags Mox to the corner and hits him with his TIGHTROPE KICK!! Jon falls and Fénix scales the ropes again. He’s crotched by Jon however! SUPLERPLEX FROM MOXLEY!!! 1.......2........KICK OUT BY FÉNIX!!! FÉNIX GETS UP AND HITS A SUPERKICK!! HE GOES FOR A HANDSPRING CUTTER! MOXLEY CATCHES AND GOES TO THROW HIM OUT THE RING!! FÉNIX LANDS ON THE ROPES, JUMPS ON THEM A FEW TIMES - SPRINGBOARD TORNILLO!!
Once they’re back up they stand on opposite corners as the crowd applaud their performance. FÉNIX THEN SPRINTS WITH A SPRINGBOARD KICK IN THE CORNER!! He goes for a Snapmare but Moxley picks him up into a MOXICITY!!! JON WITH A DIVING ELBOW DROP!! 1.............2.........FÉNIX GETS THE ROPES!! FÉNIX WITH A CORKSCREW ROUNDHOUSE KICK!! He slides out to the apron. HE DIVES FOR A SPRINGBOARD DRAGONRANA!!! MOXLEY CATCHES AND HITS THE MONEY CLIP!! 1.............2............KICK OUT!! MOXLEY GOES FOR A PARADIGM SHIFT!! FÉNIX ESCAPES AND HITS THE SPANISH FLY!! He throws Moxley into the ropes. FÉNIX THEN WITH A SPRINGBOARD MISSILE DROPKICK FROM ONE SIDE OF THE RING TO THE OTHER!! Moxley is knocked out the ring. FÉNIX THEN WITH A SOMMERSAULT TOPE SUICIDA!!
They’re now both laying on the outside. Fénix overshot the mark and now is in some front row sitters laps. He goes to jump off the guardrail but Moxley catches him! He places him on the apron. Jon gets up with him and hits a kick to the head! JON THEN LIFTS FÉNIX UP FOR A GOTCH-STYLE PILEDRIVER - ON THE APRON!! MOXLEY ROLLS HIM IN, AND GOES FOR AN ELBOW DROP!! FÉNIX LIFTS HIM OFF THE THE TOP ROPES AND TRIES THE BLACK FIRE DRIVER!! HE SPINS MOX AROUND, WHO FLIES OUT OF IT!! DISCUS LARIAT! FOLLOWED BY THE MOTHER OF ALL PARADIGM SHIFTS!!!!! 1..............2...........3!!!! MOXLEY RETAINS AFTER A WAR WITH THE MAN OF A THOUSAND LIVES!!!
Jon Moxley defeats Fénix (14:56)
After the match Moxley limps out the ring and back up the stage, his title slung over his shoulder. Meanwhile Fénix lays in the centre of the ring, gassed out of his mind from what just happened. His brother, Pentagon Jr. walks out to comfort his brother. A man in pain, and feeling grief. Pentagon lifts Fénix up, and looks past the mask to see who he knows more than anyone in the world. He offers a Cero Miedo, and Fénix lifts up his arm to do the same. Then when they throw their hands down into the taunt - PENTAGON GRABS FÉNIX AND ARM DRAGS HIM TO THE MAT!! He know kneels above, still holding the arm. He then slowly reclines it...AND SNAPS THE ARM OF HIS OWN BROTHER!! Pentagon looks at Fénix, the same blood as his, writhing in pain at the hands of him. He then grabs Fénix by the jaw and makes him look at him, barely conscious. “Cero...Miedo...”
Next week opens with a recap of the events that transpired last week. We see the high spots of Fénix and Jon Moxley’s war over the title, and then to Pentagon Jr’s attack of him. This then cuts to a promo package for that man, Pentagon Jr. To the backing of Marilyn Manson’s “The Nobodies”, we see the man who Pentagon truly is. He then explains why he did what he did. He explains he doesn’t feel empathy for what he did, he thinks he was perfectly justified. He explains how it benefits him. Later on in the show, Fénix and his translator come out. The translator explains that Fénix has seen the video himself. In the man of a thousand lives words, “those are the emotions of a psychopath. 30 years, and I don’t even know who you truly were.”
Pac comes out to Fénix and tells him: “Death Triangle is dead.” He then explains how he himself is furious at Pentagon, because he still considers Fénix his amigo. Moxley then comes out and says he thinks they both deserve rematches for the AEW World Championship, as they’re both still Number 1 and 2 on the rankings. But he then says that next week on the special episode of Dynamite: “SuperBrawl”, he will allow Pentagon to get what he wants. Because he saw the seeds being planted for this moment back when they faced. So next week if Pentagon can defeat Fénix, it will be a Four-way match between all of them at Full Gear. He then gets a text from Tony Khan confirming it. Pac then tells Fénix “you can trust me.” Fénix shakes his head though. He can no longer trust anyone. HE ITS PAC WITH A BLACK FIRE DRIVER!!
Next week is SuperBrawl and Fénix and Pentagon have pretty much the same match they had in real life, which at the time of writing was last weeks Dynamite. Pentagon wins by targeting Fénix’s arm throughout. Then on the go home show at the beginning of November, all four of them have a contract signing. They all sit at chairs in the four respective corners of the ring. They’re all wrapped in chains so no one attacks anyone. They will only be unchained when they go to sign the contract. Fénix is wearing a sling for his injured arm. Pentagon says nothing throughout despite being the centre of criticism. When he steps up he signs it and walks straight back, despite having security guards watching him like a hawk. The rest all sigh it, but the main part of it is everyone throwing barbs at each other from each corner of the ring. Pentagon is then demanded he speaks. He waits a moment, before saying “larga vida al rey.” Excalibur says that means “long live the king.” They’re on all escorted off ahead of the bout.
Full Gear 2020:
Jon Moxley (c) vs. Fénix vs. Pac vs. Pentagon Jr. - AEW World Championship
The final pay-per-view of the year is reaching its crescendo to close off the year. Every one of them have been main evented by Jon Moxley, everyone of them for the AEW World Championship. This is hyped as the first ever non one-on-one match in AEW main event history, featuring the four best the company have. Jon Moxley and Death Triangle’s war has gone on for 4 months at this point, since July. We’re now in November and it’s come to a close, with us coming full circle. Everyone of them back where they started - vying for the AEW World Championship. Fénix and Pentagon have never main evented a PPV before, with Pac being only in one. Moxley on the other hand has been involved in every single main event, excluding shows he wasn’t on (Fight for the Fallen and All Out 2019).
Moxley has been entering through the crowd since Dynamite Episode 4, when Pac blindsided him during an entrance. He couldn’t trust people after that, and started travelling his own path. Fénix enters out down through the crowds seats, being with the only people who’ve stuck by him. He climbs down the stairs, first out. The Bastard is now in a tweener role, garnering him a mixed reception. It’s Pentagon next, but he doesn’t come out. Instead Moxley is given the call it’s his turn. The fans all wonder why the champ isn’t out last. Then when Mox has arrived - Pentagon steps through the curtain, and it is nothing but boos. No ironic cheers, not even entrance music - his mere presence earning the ire of the fans.
Fénix starts off with a bang, HITTING PENTAGON WITH A SUPERKICK STRAIGHT AWAY!! HE HITS PENTAGON WITH THE BLACK FIRE DRIVER!!! Pentagon rolls out while Moxley looks out in shock. FÉNIX THEN JUMPS OVER MOXLEY WITH A SPRINGBOARD TORNILLO TO THE OUTSIDE!! That leaves it to Pac and Jon. These two faced off last at All Out in a hellacious bout, and here they are again. PAC jumps up with a Leg Lariat straight off the bat! MOX THEN REBOUNDS WITH A DISCUS LARIAT!! HE LIFTS HIM INTO A MOXICITY STRAIGHT AWAY!! HE LOCKS IN A BOW AND ARROW!! PAC ESCAPES INTO A BRUTALISER!! Mox breaks free, but is then hit by a German Suplex!! PAC THEN FLIES OUT TO THE LUCHA BROS WITH A BRITISH AIRWAYS!!!
Moxley rolls outside to join the hoard. He starts to stomp around all of them, but of course is overwhelmed by numbers. HE TURNS AROUND TO A RUNNING APRON KICK FROM PENTAGON!! Pentagon then drags him inside and licks his lips. This is a dream encounter and the fans cheer. They start booing though when Pentagon gets the first bit of offence with a chop. Moxley no sells it though and hits Pentagon with his own chop - Cheer. Pentagon chops - Boo, and so on. Eventually Pac and Fénix have had enough and both springboard into the ring, both hitting their respective rivals with STEREO SPRINGBOARD CROSSBODIES!! Now it’s these two. Pac tries to conform to Fénix but he’s having none of it. So Pac has to show him his real side.
SUPERKICK BY PAC, INTO A TIGER SUPLEX!! 1......2.....FÉNIX KICKS OUT AND ROLLS THROUGH INTO A LANZA TO THE BACK!! FÉNIX THEN HITS A 540 ROUNDHOUSE KICK!! He fires himself up for a Handspring. He does it, BUT PAC CATCHES HIM WITH A DROPKICK MID MOVE!! PAC THEN WITH A DRAGONRANA!! 1..........2......MOXLEY BREAKS IT UP!! Mox comes in and starts to unleash his brawling on two guys at once. Punch to Pac - punch to Fénix - back to Pac - then again to Fénix. He runs the ropes for a Rebound Lariat, BUT PENTAGON PULLS HIM OUT!! He holds it him in place for someone to dive at him. Fénix does so with a Cannonball Tope Suicida, but instead hits Pentagon! MOXLEY THEN SLIDES IN WITH A LOU THESZ PRESS TO PAC MID RUN-UP!!
Moxley lifts Pac up for a PARADIGM SHIFT ATTEMPT!!! BUT PAC GETS OUT AND HITS A TORNADO DDT!! HE ROLLS THROUGH INTO A BRUTALISER!!! MOXLEY LIFTS HIM OUT WITH A DEATH VALLEY DRIVER - BUT PAC LANDS ON HIS FEET AND HITS A HANDSPRING BACKFLIP INTO THE TORNADO DDT!! HE LOCKS IN THE BRUTALISER!! Moxley can’t lift out of it now, and it looks like the champ will fade. THAT’S UNTIL PENTAGON JR. COMES IN WTH A SUPERKICK PARTY!! Superkicks to Pac and Mox, and then one to his brother on the apron. HE HITS HIM WITH A SLINGBLADE ON THE APRON!! Penta then rolls Fénix back inside. He goes for the Fear Factor that ended it last time, BUT FÉNIX GETS OUT AND HITS A SPRINGBOARD SPIN KICK INTO THE CORNER!!
Fénix goes for a Snapmare but Pentagon rolls through and lands a Japanese Arm Drag! HE CONNECTS A LUNGBLOWER!! He gives Fénix and a Cero Miedo as the fans boo, AND RUNS UP FOR A SOCCER KICK TO THE LEG!! Pentagon lifts Fénix up for a PENTAGON DRIVER!!!! 1............2..........A MISSILE DROPKICK BY PAC BREAKS IT UP!! PAC THEN WITH AN ENZIGURI!! HE HEADS TO THE TOP FOR A BLACK ARROW!!! MOXLEY CROTCHES HIM!! PENTAGON THEN LIFTS HIM OFF WITH A GORILLA PRESS INTO A DOUBLE KNEE GUTBUSTER!! HE TURNS AROUND INTO A CHAIR SHOT BY JON MOXLEY!! 1................2..........BROKEN UP BY PAC!!! FÉNIX THEN FLIES INTO EVERYONE WITH A CORKSCREW SOMMERSAULT SENTON!!
It’s now a quadruple down as every man is taken out. They’ve all practically destroyed themselves by this point. Fénix is first up and throws Moxley out the ring. That leaves it to just the original three...Death Triangle now at war. Pentagon gets up and is shouted out by both men. He steps forward, and falls to his knees. He asks for Fénix to hit him. Fénix takes the offer and lifts him up for a Superkick - BUT PENTAGON CATCHES IT AND SPINS HIM OUT OF IT!! MEXICAN DESTROYER!! HE THEN GRABS PAC INTO THE SACRIFICE!! HE’S GOING TO BREAK HIS ARM!! PAC ROLLS OUT OF IT AND HITS PENTAGON WITH A SWITCHBLADE KICK!! PAC THEN HITS HIM WITH A KNEEDROP SHOOTING STAR PRESS!!!! 1.............2...........ITS BROKEN UP BY A LA GARRA DEL FÉNIX!!!!!
It’s Fénix and Pac now, and Pac is pleading for Fénix to not hurt him. Fénix shakes his head at Pac’s pleading, until he points at Pentagon Jr. Them and the crowd then get excited, and they get to work on the double team. FÉNIX HITS A BLACK FIRE DRIVER, WHICH PAC FOLLOWS UP WITH A BLACK ARROW!! They can’t decide who goes for the pin though. THIS THEN TURNS INTO A KICK FIGHT!! They trade Superkicks until JON MOXLEY SLIDES IN AND JOINS THE PARTY!! HE HITS A DOUBLE PARADIGM SHIFT!! HE THEN DIVES WITH A FLYING ELBOW DROP TO PAC!!! 1................2................3!!!!! MOXLEY RETAINS THE TITLE, HAVING GONE THROUGH WAR WITH THREE OTHER MEN. He stands up shakily, looking down at all the wreckage. He then pushes a guy who offers him some ice away as he walks through the crowd, AEW’s hero.
Jon Moxley defeats Fénix, Pac and Pentagon Jr. (35:13)
We’re out of Full Gear and now on the road to the biggest month of AEW’s calendar year - January. Not only do we start off with Homecoming on the first Dynamite of the month, we then get the Jericho Cruise and Bash at the Beach - all on the road to Revolution. Then for certain members of the roster they travel to New Japan Pro Wrestling - a place Jon Moxley spent a lot of time in last year. But this year, not so much. Moxley defended his IWGP United States Championship at Sakura Genesis against Will Ospreay - which he lost. Ospreay winning his first piece of heavyweight gold in NJPW. Afterwards Jon would say he will spend more time in America this year as he is AEW World Champion, and thus won’t compete in the G1 Climax.
Meanwhile Will is on fire. He enters the G1 Climax as part of Block B and fares well for himself. He has tough competition with the likes of Kota Ibushi, Tetsuya Naito, Minoru Suzuki, Kenta and Shingo Takagi - but he holds his own. He then goes on to defend his IWGP United States Championship at Wrestle Dynasty against fellow CHAOS stablemate in Tomohiro Ishii. He defeats him. Afterwards Ishii goes for a handshake, but Ospreay turns on him! The Great O’Kharn and Bea Priestley help beat down on Ishii. Okada then rushes out, but the gang escape in time. They then face off at Summer Struggle in Jingu, where Okada loses. Okada goes on to win the IWGP Heavyweight Championship off of EVIL however at King of Pro-Wrestling. On that same show however, Will loses his title to the first ever Japanese born man to hold the gold - Hiromu Takahashi.
Back to AEW, Jon Moxley has now had his sixth successful defence of the belt and is steadily approaching a year with the title. At Full Gear we witnessed Kenny Omega defeat Adam Page to win a #1 Contenders Tournament. This immediately sets up Moxley’s next challenger, Kenny Omega. Speaking of, what’s Kenny been up to since Double or Nothing? After losing their tag titles to FTR at All Out, they’d go their separate ways. Now both are alone, with The Elite having disbanded earlier in the year. Omega starts to act more heelish while Page earns more sympathy, his only companion now being the bottle. They come to blows at Full Gear and Omega officially turns heel on that night, attacking Adam with a barbed wire broom afterwards.
Next week on Dynamite is the return of The Cleaner. We saw the tease on the build to Double or Nothing, but he never fully capitalised. By dangling the carrot and then taking it away, you switch the fans from expecting something to hoping for it back - and when they get it back it’s an even bigger deal. He comes out with the shades and jacket; a new man - a more evil man. He comes out for an interview with Tony Schiavone, and when asked why he attacked Hangman - he answers in Japanese. He refuses to speak anything other than Japanese. This is the opposite effect of him only speaking English in promos while in NJPW. Jon Moxley comes out the week following to tell Kenny he doesn’t have a damn clue what he said last week, but all he knows is he’s going to beat him for the third time in a row at Revolution. Kenny then hits him with a V-Trigger to show who’s boss. Goodbye and Goodnight.
Jon the heads east to Japan in time for Power Struggle, where everything for Wrestle Kingdom 15 is set. The second ever Double Gold Dash between Kazuchika Okada (HW), Tetsuya Naito (IC), Kota Ibushi (G1) and Will Ospreay. Hiromu defends his IWGP United States Championship against an American in Juice Robinson, which he wins. Afterwards Jon Moxley makes his triumphant return to NJPW. He says that he’s not owed any match from Hiromu, but he wants that third US title reign. So he isn’t asking for anything - but just putting out the offer. If Hiromu gives him the match, he will put his AEW World Championship on the line too. Takahashi gives Jon a hug and accepts. He then does something weird, causing Moxley to leave with a eye roll and light smile.
Moxley then tries to scare Kenny when he comes back at the end of November with the barbed wire bat, but Kenny doesn’t budge. He has his own translator with him, to tell Moxley what he thinks. I think Kenny as a heel and a goofy translator character could be entertaining, since Omega has comedic chops and hopefully they can find a guy who does too. Firstly Kenny tells Jon that he’s above speaking the language of everyone in AEW because he’s on the next level above them. They are inferior to his new being. Kenny then says he has claimed every top title he possibly can - IWGP Heavyweight, KO-D Openweight from DDT and the PWG World titles. But that - what Moxley’s holding - has alluded him. He will take it.
Then it’s December, and we start Dynamite off with an angry Jon Moxley carrying out Michael Nakazawa to the ring. He has a barbed wire bat with him. He threatens to assault him unless Kenny speaks English to his face. Omega walks out to stop it...and then points the finger gun at Nakazawa. V-TRIGGER!! Did it for Mox. Kenny then leaves Jon with a broken man in the ring. After this, Kenny cuts a backstage promo with subtitles. He says Jon is what Pac said - he can’t wrestle. He can only do crazy hardcore spotfests, he can’t get down and technical. Meanwhile Kenny is the best in the world at that, and he knows if they fight in a clean match he WILL win. So he proposes that they fight in an Iron Man Match at Revolution. A DQ will result in a fall to the other wrestler, meaning if Jon gets extreme he will give Kenny a lead. The last Dynamite of 2020 sees Moxley bring Omega out to the ring to accept, and then attack him with the bat. Moxley then travels east for Wrestle Kingdom.
Wrestle Kingdom 15 Night Two:
Hiromu Takahashi (c) vs. Jon Moxley (c) - IWGP United States Championship and AEW World Championship
The second night of Wrestle Kingdom has arrived and it’s set to be a big one. The first night saw the beginning of the second ever Double Gold Dash - where we saw Tetsuya Naito defeat Will Ospreay to retain his Intercontinental Championship along with Kota Ibushi defeating Kazuchika Okada to win the IWGP Heavyweight Championship. Not only that but we also saw Jay White and Hiroshi Tanahashi in a grudge match as well as SANADA and EVIL do battle in a No Disqualification Match. Night two is now set to see Will Ospreay and Kazuchika Okada do battle as well as Okada and Ibushi fight once again for both belts. But before all that it’s the United States Championship match, and it all begins with The Death Rider
Coming out on his finest Harley Davidson, Jon Moxley drives out through the Tokyo Dome to ringside. The Young lions offer him help, but Mox hand selects his boy, Shota Umino, to help him out. The two pull it over the barricade and Moxley sits on it with the title slung over his shoulder, while Shooter does his best Shibata of arms folded and stone faced. “DEATHU RAIYDAH...JONAH MOXUREE!!!” Mox poses with the AEW World Championship. With that wacky entrance over we go to a man who can top “Wacky Dean” in every way you can do wacky possible, Hiromu Takahashi. He walks out with Daryl and Naoru, who hold the IWGP United States Championship between them. Jon sighs at this sight. Takahashi does his weird tongue taunt at all the people in the crowd, as there is no better greeting possible.
Once we’re underway Hiromu panders to the crowd for a minute or so, and then the lock up starts. A chinlock by Moxley is rolled out of and Hiromu rebounds with an arm drag into a school boy. Moxley kicks out and swings at Takahashi, who is already running off the ropes but is caught by a Big Boot! Jon then throws him into the corner and starts to unload punches. He then hits a big knee to the gut. A Snapmare and Soccer Kick follows. Jon is in control and applies a Nerve hold. Hiromu quickly sweeps out of it though and lands a Head Scissors Takedown! Hiromu puts his fingers in a v-shape and locks in between because he’s a weirdo. Commentary laugh at this but not so much at his HESITATION DROPKICK!! HOOKS THE LEG - JON KICKS OUT!! HIROMU THEN LEFTS HIM UP FOR A FALCON ARROW, BUT MOXLEY FLOATS OVER AND HITS A RELEASE SUPLEX!!
Moxley pulls himself up to stalk Takahashi in the corner, who stands up with him. He tries to get at Jon by raising his fist up towards his for a bump, and calling him “brother.” Moxley laughs it off and raises his hand, to the air, tue LIJ taunt. MOXLEY THEN HITS HIROMU WITH A SCOOP SLAM!! CURB STOMP FROM THE CORNER!! 1................2...........KICK OUT!! Jon pulls him up for a PARADIGM SHIFT - BUT HIROMU COUNTERS INTO THE DESTINO!!! 1.............2..........KICK OUT!! Both are down having done their partners moves - now learning they can’t follow any path but their own. They both recover on the outside after the kick outs from big moves. Takahashi is first back up and takes Jon back inside. He lands a Superkick to knock Moxley over the ropes, and then heads to the top ropes. HE DIVES OUTSIDE WITH A DIVING SENTON!! HE THROWS JON BACK INSIDE AND LOCKS IN A TRIANGLE CHOKE!!
He pulls and pulls on the hold, but then Jon reaches the ropes. Hiromu tries to Superkick him again BUT JON HITS HIM WITH A PENDELUM LARIAT!! HE TRIES FOR THE PARADIGM SHIFT AGAIN BUT TAKAHASHI FLOATS OVER INTO A CANADIAN DESTORYER!! MOXLEY ROLLS OUT AHD LOCKS IN A FUJIAWARA ARMBAR!! MOXLEY STOMPS ON THE HEAD FOR FURTHER DAMAGE!!! HIROMU IS FADING - UNTIL HE ROLLS OUT!! SUPERKICK FOLLOWED BY A DYNAMITE PLUNGER OVER THE ROPES TO THE APRON!! TAKAHASHI THEN FLIES OUT WITH A TOPE CON HILO!!!! Commentary are screaming for Hiromu to throw him inside and finish the job, but he’s too banged up from the fall. The ref’s 20 count begins, but by 15 they’re both back in.
Takahashi thinks for a cover, but considers it too late. He rethinks and goes for a Time Bomb, but Moxley gets out and HITS AN ELBOW TO THE BACK OF THE HEAD!! ONE HITTER BY JON!!!! 1.................2.............KICK OUT!! TAKAHASHI BREAKS OUT AND HITS THE JOHN WOO DROPKICK!! He rolls out and sets up one of NJPW’s famously hard wood tables. HE GOES FOR A SUNSET FLIP POWERBOMB TO MOXLEY!! BUT JON BLOCKS IT, AND HITS A PARADIGM SHIFT TO THE OUTSIDE THROUGH THE TABLE!! HE DRAGS HIROMU TAKAHASHI BACK INSIDE AND COVERS - 1...................2...............3!!!!! JON MOXLEY HAS WON THE IWGP UNITED STATES CHAMPIONSHIP FOR THE THIRD TIME IN HISTORY, AND HAS SUCCESSFULLY RETAINED HIS AEW WORLD CHAMPIONSHIP!! Afterwards he grabs a microphone and says “Naito, Ibushi - I don’t care which one of you, but whoever you are - I want to hold four titles.”
Jon Moxley defeats Hiromu Takahashi (20:11)
Jon says he’s heading back home in the press conference with two titles, and says that after 18 months under his tutelage - he’s letting Shooter spread his wings and go off as his own man. “I’ll see ya soon bud.” he tells him as he walks off through the door, both belts slung over his shoulders. Jon returns home to the States on the week after AEW Homecoming, and the week before the Jericho Cruise sets sail. He comes back and while passing him backstage, says to Kenny Omega: “くたばれ!” (In romaji: (kutabare!”) (means “go to hell!” Literally means "Drop dead!") A match is confirmed for the Jericho Cruise ship, where both guys will team together to run a gauntlet. The build for this is seen when Omega opens the show with a backstage promo (because this show needs promos where every third word isn’t cut off by reception).
He says that Jon may think he’s now the king of Japan, but he better no who he’s talking to. Former IWGP Heayvweight, Intercontinental, Junior Heavyweight, United States, Tag Team and NEVER Openweight Six-man Tag Team Champion. Jon can’t and never will top his Puroresu credentials. So he’s going to get to watch Omega to do what he did for 10 years and feel what it’s like to be the lesser, because he needs to be knocked off his perch now he’s passed over 300 days as champion. Jon comes out normally but Kenny has all the bells and whistles, as he enters to “Dragon Heart” from Seiken Tsukai No World Break. He’s led to the ring by a group of dancing ladies with brooms, as he basks in his own ego. They ultimately fall to FTR - the team who defeated Page and Omega at All Out, after a miscommunication.
Bash at the Beach and they have a match with FTR, this time for their AEW World Tag Team Championships. Cash slips out of a One Winged Angel and locks in a Fujiwara Armbar. Omega struggles in it but then he’s done for when Dax drops down with a Knee. Omega then instantly tap. Afterwards Jon goes ballistic on him for not making him a triple champion. “No wonder everyone you loved left you.” he says in an interview with Tony Schiavone next week. After that Kenny challenges Moxley saying that everyone he loved left him. Moxley then slowly brings out all his buddies. Darby Allin, Sting, Will Hobbs and Shota Umino. He then starts to call for Omega’s friends. “Riho? Nakazawa? Hangman? The Bucks? No one home it seems. But what hurts most is this: IBUSHI? dead silence” “Now all you got is your dumbass translator. Speaking of - attacks translator” Kenny walks off in defeat.
The go home show confirms a Hardcore Match between Kenny Omega and Michael Nakazawa. Nakazawa left Kenny as a friend after he turned to the dark side. This is a match driven by enough but told through DDT hardcore spots. I think I’m the only person on earth who enjoyed Nakazawa/Jebailey so I’d like this, also considering it contains Kenny Omega in it. Omega wins with a One Winged Angel onto a pile of loose arcade buttons. Afterwards he speaks in English for the first time all year. “Jon - what I do to you at Revolution will end your fairytale of a title run. I am not who you had your first successful defence against, you have seen god damn nothing.” This means we’ve reached our destination - Los Angeles, the city in which we will witness the Iron Man Match between Kenny Omega and Jon Moxley.
Revolution 2021:
Jon Moxley (c) vs. Kenny Omega - 30-minute Iron Man Match for the AEW World Championship
Revolution has seen a lot so far, and is already in the history books as one of AEW’s best ever PPVs. But you have to save the best for last, of course. The main event arrives, and it starts with something hardcore...BABYMETAL. Live on the stage are the most Kenny Omega band imaginable, signing a song about hardships and overcoming defeat via perseverance. Then a fan walks on stage and starts to jam out, and the bad stop and look at him weird. Lights go out...ITS KENNY OMEGA!! AS AKUMA’S RAGING DEMON!! His hair is dyed red and spiked up and he has the demon symbol painted on his back. They then resume the song as Omega walks down. Justin Roberts has really strapped up his boots for this one and he has to do not one but two dramatic ring introductions for this match.
Jon Moxley then doesn’t have a Harley Davidson like last time (some things are too good to be true), instead having to walk like a beta. Nevertheless he still has two titles with him, commentary pointing out his IWGP United States Championship - also mentioning the belts inaugural champion was Kenny Omega - but now Moxley has held it three times. He walks past his wife Renee Paquette in the crowd who wishes him good luck. Jon slithers into the ring and makes Omega watch as he raises up both titles. Excalibur says that Omega will be the third man in history to have held a major heavyweight championship in Mexico, Japan and the United States if he wins. Previous winners being Antonio Inoki (IWGP, WWF and UWA) and Vader (IWGP/AJPW, WCW and UWA). Also j the crowd for this match are Alex Jebailey who receives a boo at his arrival. The cameras then go to Renee who gets a pop.
The bell rings and the match has started. Kenny and Jon slowly advance, doing little circles around the centre. Then they pounce into a lock up. Kenny misses the chinlock and instead is on the receiving end of one. He tries to slide out but Jon snatches him back with an armhold. Omega kicks up to knock Jon off and get away. He dusts his hands and this time leapfrogs Moxley when he goes for him, and grabs him by the waist. He slams him back and gets a rest hold in. He applies a headlock and rolls back into a mini Crossface. Jon grabs the ropes and retreats to his corner. Eventually he gets bored of this and wants to fuck shit up, so when Omega runs at him he hits a kick to the midsection! Moxley then with an EXPLODER SUPLEX STRAIGHT AWAY!! He hits it and basks in the soaking applause of the fans.
Jon lifts Kenny up but he’s hit by a Enziguri!! HE FOLLOWS WITH THE YOU CAN’T ESCAPE! As soon as the Moonsault lands he covers, 1........2......KICK OUT!! Jon then connects an Arm Drag and follows with a Kitchen Sink! HE TRIES FOR AN EARLY PARADIGM SHIFT!! OMEGA FLOATS OVER AND LANDS A KOTARO KRUSHER!!! HE HITS ANOTHER ONE INTO THE CORNER!!! He flies over the ropes with the second and so starts to scale the turnbuckles to get back in. HE PULLS JON UP BY A GUTWRENCH!! He tugs and tugs but Moxley sandbags. He still gets him to the first rope. He’s looking for Dr. Wiley’s Powerbomb! MOXLEY THEN LIFTS HIM FOR A SUPERPLEX!! KENNY STAYS PUT!! MOXLEY THEN CATCHES HIM WITH AN AIR RAID CRASH!! HE FLIES!! 1.............2..........3!!!!!!!!!! Jon Moxley earns 1 point.
Omega is flustered by that sudden pinfall. Moxley is arrogant about getting a quick pin and turns around to showboat. HE’S THEN CAUGHT WITH A REVERSE FRANKENSTEINER BY OMEGA!! Kenny then slits his throat and points a finger gun at Moxley’s head, BEFORE LANDING A V-TRIGGER!! HE HITS THE AOI SHOUDOU!! HE THEN RUNS THE ROPES FOR ANOTHER V-TRIGGER BUT HES CAUGHT WITH A HEADBUTT!! MOXLEY THEN HITS A CUTTER!!! 1..KICK OUT!! OMEGA GETS UP AND HITS A MISSILE DROPKICK TO THE BACK OF THE HEAD FROM OUT OF NOWHERE!! This man is not fucking about. He pulls Moxley up and thinks he’ll hit him with his own move, the Paradigm Shift. MOXLEY COUNTERS WITH A BACKBODY DROP TO THE OUTSIDE!! Omega lands on his feet, but is immediately hit by a SUICIDE DIVE FROM MOXLEY!!
Both guys are now on the outside after the big dive. Moxley isn’t much of a high flyer aside from his elbow drops, but here he just went. He gets up with a middle finger in the sky to show he enjoyed that. He drags Kenny back in with him. He throws Omega to the corner and starts to come in with punches and stomps. He runs for a HESITATION DROPKICK!! He then lifts Omega up for a chop. He readies himself...OMEGA HITS A V-TRIGGER!! DRAGON SUPLEX BY OMEGA!! RISE OF THE TERMINATOR BY OMEGA TO THE OUTSIDE!! He then bashes Moxley’s head off the ring post a few times until he throws him back in He irish whips Jon to the corner, who jumps to the second rope, and IS THEN HIT WITH A SUPERKICK TO THE REAR!! OMEGA CLIMBS UP AND HITS A SUPER CROYT’S WRATH!!!! 1..............2..............3!!!! Kenny Omega earns 1 point.
We’re now approaching 20 minutes and the score has just been made equal. Omega climbs up and is now the one who gets cocky. He comes prepared for the surprise attack as he flips out of a German Suplex. SUPERKICK INTO THE ROPES, BUT IS CAUGHT BY A PENDULUM LARIAT!! MOXLEY THEN GOES FOR A SPINNING PARADIGM SHIFT! KENNY ESCAPES AND RUNS THE ROPES, BUT IS CAUGHT BY A KITCHEN SINK!! JAPANESE ARM DRAG BY MOXLEY!! They’re desperate for the second point and the clock is ticking. We’re over 20 minutes now. Omega kicks into gear when he attempts a One Winged Angel and the fans leave their seats. Moxley quickly slides out though and scurries for the corner. Kenny basks in the glory of embarrassing the world champion. HE’S THEN ROLLED UP BY MOXLEY!! KICK OUT AND A DOUBLE DOWN FROM STEREO CLOTHESLINES!!
Continues in comments
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